“much the way the proximity between real and virtual feeling in the concept of tone can produce anxiety for the literary theorist.” — Sianne Ngai Copy Share Image
“In fact, the shot’s cunning re-objectivization suggests just how uncertain this surveillance expert’s grasp of the visual field has perhaps been all… — Sianne Ngai Copy Share Image
“In both cases, the difficulty lies not in the ontological difference between real emotion and virtual emotion, but rather in their proximity.” — Sianne Ngai Real emotion Copy Share Image
“Envy is, in a sense, an intentional feeling that paradoxically undermines its own intentionality.” — Sianne Ngai Envy Copy Share Image
“in my afterword, which discusses the ugliest of all ugly feelings: disgust. As” — Sianne Ngai Disgust Copy Share Image
“Melville’s last published novel, The Confidence-Man (1857), a notably “talky” text that offers a useful allegory of the very” — Sianne Ngai Copy Share Image
“these audible demonstrations that whether the feeling is vested in abstract systems or in personal relationships, the world of the novel’s story… — Sianne Ngai Books Copy Share Image
“Both are also examples of film noir, a postwar genre commonly understood (even to the point of cliché) as being aesthetically and… — Sianne Ngai Cinema Copy Share Image
“The anticathartic device of dilating the time in which any particular incident takes place thus accentuates the manner in which these uneventful… — Sianne Ngai Time Copy Share Image
“Heidegger claims, it seems fitting that Melville’s story about public exchanges facilitated by an anonymous agent becomes primarily preoccupied with how “confidence”… — Sianne Ngai Confidence Copy Share Image
“For just as the question of whether one’s paranoia is subjective or objective is internal to paranoia, the historically feminized and proletarianized… — Sianne Ngai Envy Copy Share Image
“If Ugly Feelings is a bestiary of affects, in other words, it is one filled with rats and possums rather than lions,… — Sianne Ngai Copy Share Image
“—rather than those of more iconic figures such as Ahab, Othello, or Lear, my focus will be on irritation instead of anger,… — Sianne Ngai Anger Copy Share Image
“More specifically, this book turns to ugly feelings to expand and transform the category of “aesthetic emotions,” or feelings unique to our… — Sianne Ngai Beauty Copy Share Image
“In other words, I mean the formal aspect of a work that has made it possible for critics of all affiliations (Marxist,… — Sianne Ngai American literature Copy Share Image
“Even an ostensibly degree-zero affect like animatedness has a version of this subjective/objective problematic at its core—namely, the question of whether “animation”… — Sianne Ngai Animation Copy Share Image
“This awkward quality might be attributed to a conspicuous avoidance of the dimension of feeling already deeply associated with “tone” and even… — Sianne Ngai Copy Share Image
“How much?,” referring to the medicine peddled by the confidence-man in his incarnation as “herb-doctor,” the analog amplifier replies, “As much as… — Sianne Ngai Confidence Copy Share Image
“a highly organized and articulate set of ideas about anything. As in the case of a love affair the fit need not… — Sianne Ngai Affair Copy Share Image
“[My original] theory of affect as amplification was flawed by [one] serious ambiguity. I had unwittingly assumed that in both electronic amplification… — Sianne Ngai Copy Share Image
“ask these questions not to dispute the tone Jameson attributes to these postmodern artifacts—the exhilaration he is speaking of is clearly of… — Sianne Ngai Copy Share Image
“The Confidence-Man is actually anaphoric in its narrative structure, insofar as its entire plot consists of a series of exchanges involving one… — Sianne Ngai Confidence Copy Share Image
“As an affective matrix devised as a “psychological explanation” for revolutionary or political impulses, which reduces social antagonisms to deficiencies of individual… — Sianne Ngai Character Copy Share Image
“While this book makes a similar if more modest claim for the social significance of its own fundamentally ambivalent “sentiments of disenchantment”… — Sianne Ngai Beauty Copy Share Image
“Indexed here by the specific feelings of paranoia and guilt, rather than an affective absence or illegibility, Harry’s political passivity, and correlative… — Sianne Ngai Copy Share Image
“On one hand, the state of being “animated” implies the most general of all affective conditions (that of being “moved” in one… — Sianne Ngai Animation Copy Share Image
“The pain receptors have evolved to make us care about injury and disease. Pain is an analog of injury in its inherent… — Sianne Ngai Pain Copy Share Image
“Whether in a direct or indirect manner, this Bartlebyan problem is one to which all of the following chapters will repeatedly return,… — Sianne Ngai Dilemmas Copy Share Image
“The Conversation to produce another highly determinate feeling—paranoia—that not coincidentally replicates the subjective/objective oscillation in its basic structure: Is the enemy out… — Sianne Ngai Communication Copy Share Image
“Indeed, while it is widely agreed that “emotions play roles in forms of action,”22 the feelings in this study tend to be… — Sianne Ngai Education Copy Share Image
“fact, at times it seems as if The Confidence-Man has been aggressively constructed for the purpose of giving the reader the unpleasant… — Sianne Ngai Books Copy Share Image
“Affect is perhaps the most difficult plane of human life to define and describe, not merely because it is a-signifying (and contemporary… — Sianne Ngai Copy Share Image
“In fact, I would suggest that what each moment produces is the inherently ambiguous affect of affective disorientation in general—what we might… — Sianne Ngai Disorientation Copy Share Image
“call “stuplimity” through a literature of exhausting repetitions and permutations, paranoia through a transcription-based poetry that continually raises the question of whether… — Sianne Ngai Books Copy Share Image
“is an account, in other words, of how a problematic valorization of powerlessness as “good” can easily emerge from the same situation… — Sianne Ngai Books Copy Share Image
“there is a sense in which ugly feelings can be described as conducive to producing ironic distance in a way that the… — Sianne Ngai Books Copy Share Image
“Similarly, Massumi argues that while emotion is “a subjective content, the sociolinguistic fixing of the quality of an experience which is from… — Sianne Ngai Emotion Copy Share Image
“Yet the point of the Black Rapids agent’s story is precisely that an illusory panic can easily generate a “double” that is… — Sianne Ngai Copy Share Image
“For envy makes no claim whatsoever about the moral superiority of the envier, or about the “goodness” of his or her state… — Sianne Ngai Envy Copy Share Image
“Hence while disgust is always disgust toward, in the same way that envy is envy of—whereas it makes no sense to speak… — Sianne Ngai Disgust Copy Share Image
![“This awkward quality might be attributed to a conspicuous avoidance of the dimension of feeling already deeply associated with “tone” and even “attitude” in everyday usage, as in the familiar “I don’t like the [insert unstated but implied emotional quality] tone of your voice” or “That kind of…” quote by Sianne Ngai](https://sms4smile.com/q/img-quotes/e11/sianne-ngai-12114_quote_this-awkward-quality-might-be-attributed_1833195.jpg)
![“[My original] theory of affect as amplification was flawed by [one] serious ambiguity. I had unwittingly assumed that in both electronic amplification and affective amplification there was an increase in gain of the signal. If that were the case, what would be amplified would remain essentially…” quote by Sianne Ngai](https://sms4smile.com/q/img-quotes/eba/sianne-ngai-12114_quote_my-original-theory-of-affect-as-amplific_1550124.jpg)
