Advertising is an environmental striptease for a world of abundance. — Marshall McLuhan Copy Share Image
Today it is not the classroom nor the classics which are the repositories of models of eloquence, but the ad agencies. — Marshall McLuhan Copy Share Image
Ads are carefully designed by the Madison Avenue frog-men of-the-mind for semiconscious exposure. — Marshall McLuhan Copy Share Image
Ads push the principle of noise all the way to the plateau of persuasion. They are quite in accord with the procedures… — Marshall McLuhan Copy Share Image
Ads represent the main channel of intellectual and artistic effort in the modern world. — Marshall McLuhan Copy Share Image
The cave art of Madison Avenue has been by far the most innovative and educative art form of the twentieth century. — Marshall McLuhan Copy Share Image
Ideally, advertising aims at the goal of a programmed harmony among all human impulses and aspirations and endeavors. Using handicraft methods, it… — Marshall McLuhan Copy Share Image
Any ad consciously attended to is comical. Ads are not meant for conscious consumption. They are intended as subliminal pills for the… — Marshall McLuhan Copy Share Image
Any expensive ad represents the toil, attention, testing, wit, art, and skill of many people. Far more thought and care go into… — Marshall McLuhan Copy Share Image
An expensive ad represents the toil, attention, testing, wit, art, and skill of many people. Far more thought and care go into… — Marshall McLuhan Copy Share Image
During the Second War, the U.S.O. sent special issues of the principal American magazines to the Armed Forces, with the ads omitted.… — Marshall McLuhan Copy Share Image
The copy of an ad is merely a punning gag to distract the critical faculties while the image of the product goes… — Marshall McLuhan Copy Share Image
Language always preserves a play or figure/ground relation between experience, and perception and its replay in expression. — Marshall McLuhan Copy Share
I am curious to know what would happen if art were suddenly seen for what it is, namely, exact information of how to rearrange… — Marshall McLuhan Copy Share
With the arrival of electric technology, man has extended, or set outside himself, a live model of the central nervous system itself. To the… — Marshall McLuhan Copy Share
“The constant broadcast and reception of ghostly images via radio and television, according to this notion, had weakened the sense, particularly among youth, of… — Marshall McLuhan Copy Share
Every innovation scraps its immediate predecessor and retrieves still older figures – it causes floods of antiques or nostalgic art forms and stimulates the… — Marshall McLuhan Copy Share
The family circle has widened. The worldpool of information fathered by the electric media--movies, Telstar, flight--far surpassesany possible influence mom and dad can now… — Marshall McLuhan Copy Share
Like primitive, we now live in a global village of our own making, a simultaneous happening. It doesn't necessarily mean harmony and peace and… — Marshall McLuhan Copy Share
Professionalism is environmental. Amateurism is anti-environmental. Professionalism merges the individual into patterns of total environment. Amateurism seeks the development of the total awareness of… — Marshall McLuhan Copy Share
The visual power of the phonetic alphabet is the translate other languages into itself is part of its power to invade right hemisphere (oral)… — Marshall McLuhan Copy Share
New media may at first appear as mere codes of transmission for older achievement and established patterns of thought. But nobody could make the… — Marshall McLuhan Copy Share
Youth instinctively understand the present environment - the electric drama. It lives mythically and in depth. — Marshall McLuhan Copy Share
Our motor car is our supreme form of privacy when we are away from home. — Marshall McLuhan Copy Share
The scientist rigorously defends his right to be ignorant of almost everything except his specialty. — Marshall McLuhan Copy Share
