““The supernatural, and all it represents, is profoundly abnormal, and therefore unreal. Few would argue with these conclusions. Fine. Now the highest aim of the realistic horror writer is to prove, in realistic terms, that the unreal is real. The question is: “Can this be done?” The answer is: “Of course not.” One would look silly attempting such a thing. Consequently, the realistic horror writer, wielding the hollow proofs and premises of his art, must settle for merely seeming to smooth out the ultimate paradox. In order to achieve this effect, the supernatural realist must really know the normal world, and deeply take for granted its reality. (It helps if he himself is normal and real.) Only then can the unreal, the abnormal, the supernatural be smuggled in as a plain brown package marked Hope, Love, or Fortune Cookies, and postmarked: the Edge of the Unknown.””
