““Franco Moretti in The Way of the World, his brilliant discussion of the European bildungsroman, or novel of growing-up, distinguishes the British novel from the continental European one for its greater emphasis on the child as hero or heroine. This goes, he says, with a plot that turns on the dangers posed by fairy-tale villains and schemers, trying to dispossess the child of its rightful place and inheritance—as opposed to the novel of growing-up, becoming adult, making moral errors (Stendhal, Goethe, and in Britain, Middlemarch, which Virginia Woolf called the only novel written for grown-ups).””
