Art Quote by Julian Barnes
““The great French diarist Jules Renard (1864-1910) had small interest in non-literary art forms. When Ravel approached him wanting to set five of his Histoires naturelles, Renard couldn’t see the point; he didn’t forbid it, but declined to go to the premiere. He sat through Debussy’s Pelléas et Mélisande and found it a ‘sombre bore’, its plot ‘puerile’. His attitude to painting was a little more responsive: he admired (and knew) Lautrec, and approved of Renoir; but he found Cézanne barbarous and Monet’s waterlilies ‘girly’. This was less philistinism than a robust admission of his own areas of non-response. And he did write one wonderful thing about painting, on 8 January 1908: ‘When I am in front of a picture, it speaks better than I do.’ It is a chastening remark, because most of us, when in front of a picture, do not give the picture time enough to speak. We talk at it, about it, of it, to it; we want to forcibly understand it, get its measure, colonise it, ‘friend’ it. We compare it to other pictures it reminds us of; we read the label on the wall, confirm that it is, say, pastel on monotype, and check which gallery or plutocrat owns it. But unless we are highly trained, we don’t know enough to recognise more than roughly how the picture relates to the history of painting (because it always does, even if negatively). Instead, we hose it with words and move on.””
About This Quote
Source Essay: “The Great French Diarist” by Julian Barnes, The New Yorker, 2015
Renard’s selective engagement with art shows how personal taste and expertise shape our interaction with visual works, often leading us to dominate rather than listen.
In simple terms: People often talk over art instead of listening to it.
Allow a painting to speak before judging.
Themes
Mood
Type
When to use this quote
- gallery visits
- art education
- personal reflection
- critical discussion
Key Concepts
Questions to Reflect On
- How does your knowledge affect your perception of art?
- Can you experience a painting without labeling it?
Renard’s bias may limit exposure to diverse art forms.