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““He undid the lock and pulled open the cover to reveal a large stack of envelopes, each one labeled with a different name: Franklin Hobart, Brian Yancey, Everett Singer, Larry Steczynski…it was this last one he grabbed and pulled open, emptying its contents into his wallet and pockets. “Larry Steczynski?” I asked incredulously. Sage smiled. “You don’t think it suits me?” “Oh, I think you suits you perfectly. How many aliases do you have?” “I’m a bit of a collector.” I placed a hand on his wrist, stopping him as he transferred something into his wallet. “Does Larry Steczynski carry a black AmEx?” “He might.” “My mom doesn’t even carry a black AmEx.” “Apparently your mom doesn’t move in the same circles as Larry Steczynski.” “Sage,” Ben called from across the room. He had knelt down to gaze closely at a sculpted figurine that sat on an end table, and his voice broke with awe. “This...this is a real Michelangelo, isn’t it?” “Yeah, yeah it is.” “But it’s a Michelangelo! ” “Yep.” “And that painting,” Ben said, nodding to a piece on the wall featuring a sketch of what looked like a somewhat cherubic version of Sage himself. “That’s a real Rubens?” “It is.” “It looks like you.” “Strong genetics in the family line,” Sage explained.””

Hilary Duff

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