““Watching the early Keystone flicks today, their weaknesses are as apparent as their strengths. Plots are vaporous and repeatedly recycled. Acting can veer into wild pantomime. Racial and ethnic stereotypes abound. Much screen time is merely filler before the next round of mayhem. Still, you wait for the infectious moment when the uppity heiress lands in the lake or the Keystone Kops give chase in cars, bicycles, and shoes but can’t quite catch the crook. Or when, again and again, a fat man falls.””