““look at the painting again. Despite the obvious differences, this girl is deeply, achingly familiar. In her I see myself at twelve years old, on a rare afternoon away from my chores. In my twenties, seeking refuge from a broken heart. Only a few days ago, visiting my parents’ graves in the family cemetery, halfway between the dory in the haymow and the wheelchair in the sea. From the recesses of my brain a word floats up: synecdoche. A part that stands in for the whole. Christina’s World. The””
