““the original commission for the ceiling was a plan designed by the pope and his closest advisers. Jesus was to have been the focal point of the project, surrounded by his apostles and probably also Mary and John the Baptist. This commission was especially dear to the pope’s heart, since the chapel had originally been built by his uncle Sixtus IV and would be an eternal monument to their family’s glory. Now Michelangelo was about to subvert the entire project to secretly promote his own beliefs, especially those of humanism, Neoplatonism, and universal tolerance. He had already somewhat appeased the pope with his ploy of putting him in the place of Jesus—but how was he going to get the pope to pay for the world’s largest Catholic fresco without a single Christian figure in it?””