““In 1510 the pope ordered the scaffolding dismantled and the first part of the fresco displayed to an eager public. The ecstatic reactions from artists and laymen alike helped overcome any complaints from the clergy and censors. Michelangelo won the right to proceed with the rest of the project without further (or with lessened, shall we say) interference. This was also his chance to stand on the ground level and see what the work looked like up there, about sixty-five feet above. He realized then that he was being too timid with the figures, that he had been making them too numerous and too small. We can immediately see the difference in the central panels after the Noah section: they are simplified and the figures are much larger and more “sculpted.” Even the prophets and sibyls increase in size from that point onward.””
