“First one, then the other, describes in clear fencing language, in detail exactly what occurred. For example: “Mary was in coda longa,… — Guy Windsor Trust Copy Share Image
“To work on a movement you need: A clear picture or feeling of how it is now A clear picture or feeling… — Guy Windsor Copy Share Image
“The rules of feinting are pretty simple: you must create a credible threat. As your opponent responds, your strike should take less… — Guy Windsor Copy Share Image
“As a general rule, like counters like. So you can try counterattacking with roverso fendente against roverso fendente, and so forth.” — Guy Windsor Copy Share Image
“when entering into measure to strike, there should be a clear threat made.” — Guy Windsor Copy Share Image
“A properly constructed warm-up involves three things: loosening the joints, warming the body, and light stretching. Ideally it will also activate core… — Guy Windsor Three things Copy Share Image
“I hope that one day the audience will demand the same degree of martial realism in a fight as it demands visual… — Guy Windsor Special effects Copy Share Image
“No one ever throws a perfect blow in the exact line it is supposed to be in—but by having a set of… — Guy Windsor Copy Share Image
“Any position you find yourself in can be considered a guard if you understand its tactical and technical properties. Slavishly copying a… — Guy Windsor Copy Share Image
“It is of course also possible that the attacker is deliberately feinting to draw the parry to bind it, and will strike… — Guy Windsor Copy Share Image
“Every martial art, from T’ai Chi Chuan to the nuclear deterrent, is based on a doctrine—an idea of how combat works.” — Guy Windsor Art Copy Share Image
