Life goes on, even if two-headed and glowing faintly in the dark. — Ursula K. Le Guin Copy Share Image
A profound love between two people involves, after all, the power and chance of doing profound hurt. — Ursula K. Le Guin Copy Share Image
If civilization has an opposite, it is war. Of these two things, you have either one, or the other. Not both. — Ursula K. Le Guin Copy Share Image
Death and life are the same thing-like the two sides of my hand, the palm and the back. And still the palm… — Ursula K. Le Guin Copy Share Image
Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together… — Ursula K. Le Guin Copy Share Image
My Real Children starts quietly, then suddenly takes you on two roller-coaster rides at once, swooping dizzily through a double panorama and… — Ursula K. Le Guin Copy Share Image
What is a body that casts no shadow? Nothing, a formlessness, two-dimensional, a comic-strip character. If I deny my own profound relationship… — Ursula K. Le Guin Copy Share Image
Time has two aspects. There is the arrow, the running river, without which there is no change, no progress, or direction, or… — Ursula K. Le Guin Copy Share Image
Capitalism’s grow-or-die imperative stands radically at odds with ecology’s imperative of interdependence and limit. The two imperatives can no longer coexist with… — Ursula K. Le Guin Copy Share Image
It win be a device that will permit communication without any time interval between two points in space. The device will not… — Ursula K. Le Guin Copy Share Image
There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right… — Ursula K. Le Guin Copy Share Image
I have told the story I was asked to tell. I have closed it, as so many stories close, with a joining… — Ursula K. Le Guin Copy Share Image
“...I wore his blood for clothing, on my legs and thighs and hands: a dry, stiff, brown garment with no warmth in it.” — Ursula K. Le Guin Copy Share Image
Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like… — Ursula K. Le Guin Copy Share Image
“Aeneas' mother is a star?" "No; a goddess." I said cautiously, "Venus is the power that we invoke in spring, in the garden, when… — Ursula K. Le Guin Copy Share Image
“Meaning - this is perhaps the common note, the bane I am seeking. What is the Meaning of this book, this event in the… — Ursula K. Le Guin Copy Share Image
For fantasy is true, of course. It isn't factual, but it is true. Children know that. Adults know it too, and that is precisely… — Ursula K. Le Guin Copy Share Image
“. . . chronosophy does involve ethics. Because our sense of time involves our ability to separate cause and effect, means and end. The… — Ursula K. Le Guin Copy Share Image
“If both you and your plane are on time, the airport is merely a diffuse, short, miserable prelude to the intense, long, miserable plane… — Ursula K. Le Guin Copy Share Image
Between thought and spoken word is a gap where intention can enter, the symbol be twisted aside, and the lie come to be. — Ursula K. Le Guin Copy Share Image
I have no control over my writing. I have lots of good intentions, but no control. There's a story that wants to be told. — Ursula K. Le Guin Copy Share Image
“I did a lot today. That is, I did something. The only thing I have ever done. I pressed a button. It took the… — Ursula K. Le Guin Copy Share Image
To me the female principle is, or at least historically has been, basically anarchic. It values order without constraint, rule by custom not by… — Ursula K. Le Guin Copy Share Image
