I hope what I do when I draw from other people's lives is pay tribute. To try to understand what it means in our society to be silenced. To try to understand how class and gender intersect with that. To… — Kate Zambreno Copy Share Image
I try to tell student writers to read as much as possible, not only literature but philosophy, theory, and to form obsessions. There's a big taboo in fiction creative writing workshops against using the self at all, and I think… — Kate Zambreno Copy Share Image
The memoir by women, read by female readers, is considered a market form, not "great literature." — Kate Zambreno Copy Share Image
It is only through having a stable loving partnership that I began to feel in control enough to attempt a strict writing discipline, to… — Kate Zambreno Copy Share Image
I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and… — Kate Zambreno Copy Share Image
I do teach fiction and non-fiction, and usually I'm interested in works that confuse genre, but I'm very new to teaching creative writing, I… — Kate Zambreno Copy Share Image
The biographies of the great men see their excesses as signs of their greatness. But Jean Rhys, in her biography, is read as borderline;… — Kate Zambreno Copy Share Image
I have almost never been compared to male writers in any review. All women. — Kate Zambreno Copy Share Image
“I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like… — Kate Zambreno Copy Share Image
I'm just too lazy. I wish I could be someone that has wild affairs - all of my favorite nonfiction novels are about these… — Kate Zambreno Copy Share Image
I always remember my childhood as traumatic, for various reasons; I always felt alienated, outside. — Kate Zambreno Copy Share Image
“Sometimes she narrates her actions inside her head in third-person. Does that make her a writer or a woman?” — Kate Zambreno Copy Share Image
