I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying to use the format and write a pop song on top of avant-garde music,… — Autre Ne Veut Copy Share Image
There's a real existential anxiety at having to exist not just in a generalised social framework, but a capitalist social framework. — Autre Ne Veut Copy Share Image
I like Cronenberg's early work; his '80s films had all these weird, amorphous flesh objects in them. — Autre Ne Veut Copy Share Image
When I released my first record, I was really in the middle of having made the decision to follow the clinical psychology path, which… — Autre Ne Veut Copy Share Image
I did a lot of choral music in high school, and that was kind of my primary, stable outlet for music because I didn't… — Autre Ne Veut Copy Share Image
When I was twelve or thirteen, if you liked something that was outside of your friend group genre, you had to rationalize and explain… — Autre Ne Veut Copy Share Image
I always thought I was depressive, and I only recently realized that I have more of an anxiety disorder than chronic depression. — Autre Ne Veut Copy Share Image
I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really… — Autre Ne Veut Copy Share Image
I'm not good at interacting with people and am terrified to get onstage, so I just go up there, freak out and, most of… — Autre Ne Veut Copy Share Image
I like pop music. Earnestly. Most of the greatest technicians, mix engineers, and players are working in pop music. — Autre Ne Veut Copy Share Image
There's a certain type of indie fan who would balk at the prospect of there being value in pop music, but I think that's… — Autre Ne Veut Copy Share Image
Afterlife, in my mind, is pretty much nothing. This is it. This is what we get, for me. — Autre Ne Veut Copy Share Image
I wanted to make a record that worked against the hypnagogic paradigm, for sure. — Autre Ne Veut Copy Share Image
