I realised that I wasn't going to the NBA when I broke my foot my second time. — RaMell Ross Copy Share Image
One of the only ways to understand truth is to synthesize every single person's point of view at the same time. And… — RaMell Ross Copy Share Image
There are a variety of different ways in which we experience trauma as human beings without seeing it. I guess because cinema's… — RaMell Ross Copy Share Image
Films that take place in the past reproduce the aesthetics of the past. I question the aesthetics of the past. — RaMell Ross Copy Share Image
Given the time-based relationship to making a movie, it's often not efficient to spend copious amounts of time filming and waiting for… — RaMell Ross Copy Share Image
I'm really easily moved, and I really believe, philosophically, that everything in the world exists at every point in time, in every… — RaMell Ross Copy Share Image
When you film someone, you're constantly searching for meaning or representational moments, right? These moments are in dialogue with moments you've seen… — RaMell Ross Copy Share Image
I think maybe people who are in the position to continually fight for things we know to be true and factual need… — RaMell Ross Copy Share Image
From the moment you show someone making a decision on film, you judge that moment and that starts to build your point… — RaMell Ross Copy Share Image
I think of time as I think of desire and language and our bodies; the distance between things and then things themselves,… — RaMell Ross Copy Share Image
To give subjectivity to the Dozier School boys is fundamentally mind-blowing. In literature, you're allowed to write from the inside, but at least most… — RaMell Ross Copy Share Image
What a thing of free will to be in the air and to have that much control over one's directionality, up, down, left, right… — RaMell Ross Copy Share Image
You know, I feel like when we're watching films, typically, the films do the thinking for you, one could say. — RaMell Ross Copy Share Image
I realised that I wasn't going to the NBA when I broke my foot my second time. — RaMell Ross Copy Share Image
Film peddles in one blip in the sea of emotional relationships when it's literally the content of the whole ocean. — RaMell Ross Copy Share Image
Cinema lends itself to the play between the surreal, the symbolic, the experiential, the nonsensical and the aesthetic. It's on this weird carousel that's… — RaMell Ross Copy Share Image
The thing about 'Nickel Boys' is its a film that is more intelligent than its maker. — RaMell Ross Copy Share Image
I don't think you need a lot of money to make a film that's cinematic and deserves to be in theaters, but people feel… — RaMell Ross Copy Share Image
The South is my home and I'm trapped in its stomach trying to get to its brain. — RaMell Ross Copy Share Image
Black folks aren't asked to make films about all white people. But what would have happened if we did? What would white culture look… — RaMell Ross Copy Share Image
Micro-looking processes that are human are what I was interested in. How can you use the camera to mime the way that we look?… — RaMell Ross Copy Share Image
Imagine something where you are just provided with the truth, which is something that everyone deserves. It's insane that's a line like that has… — RaMell Ross Copy Share Image
