Are we asserting the easy dominion of our civilization over all times and all places, as signs that we casually absorb as a form of loot? — Martha Rosler Copy Share Image
Just going out on a foray to assemble a collection of street trophies about this or that running social sore can't be effective -… — Martha Rosler Copy Share Image
Photography [can] be seen as a system of representation that you bring to bear on other systems. — Martha Rosler Copy Share Image
So much of my work involved the Vietnam War that it would have been obscene to show it in a gallery. But now, it’s… — Martha Rosler Copy Share Image
Take the Money and Run? Can Political and Socio-Critical Art ‘Survive’? — Martha Rosler Copy Share Image
“Artists and activists offend the sensibilities of the rule-bound when they interfere with people”s ability to accept things in the private realm as long… — Martha Rosler Copy Share Image
The exposé, the compassion and outrage, of documentary fueled by the dedication to reform has shaded over into combinations of exoticism, tourism, voyeurism, psychologism… — Martha Rosler Copy Share Image
How useful are documentary photographs if there is no follow up, no way of knowing what happened next in the story? — Martha Rosler Copy Share Image
Are we asserting the easy dominion of our civilization over all times and all places, as signs that we casually absorb as a form… — Martha Rosler Copy Share Image
Any familiarity with photographic history shows that manipulation is integral to photography. — Martha Rosler Copy Share Image
Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by… — Martha Rosler Copy Share Image
I was concerned with something like the notion of 'language speaking the subject,' and with the transformation of the woman herself into a sign… — Martha Rosler Copy Share Image
The question at hand is the danger posed to truth by computer-manipulated photographic imagery. How do we approach this question in a period in… — Martha Rosler Copy Share Image
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