Just going out on a foray to assemble a collection of street trophies about this or that running social sore can't be effective - and never was. — Martha Rosler Copy Share Image
The exposé, the compassion and outrage, of documentary fueled by the dedication to reform has shaded over into combinations of exoticism, tourism, voyeurism, psychologism and metaphysics, trophy hunting - and careerism. — Martha Rosler Copy Share Image
Just going out on a foray to assemble a collection of street trophies about this or that running social sore can't be effective -… — Martha Rosler Copy Share Image
Photography [can] be seen as a system of representation that you bring to bear on other systems. — Martha Rosler Copy Share Image
So much of my work involved the Vietnam War that it would have been obscene to show it in a gallery. But now, it’s… — Martha Rosler Copy Share Image
Take the Money and Run? Can Political and Socio-Critical Art ‘Survive’? — Martha Rosler Copy Share Image
“Artists and activists offend the sensibilities of the rule-bound when they interfere with people”s ability to accept things in the private realm as long… — Martha Rosler Copy Share Image
The exposé, the compassion and outrage, of documentary fueled by the dedication to reform has shaded over into combinations of exoticism, tourism, voyeurism, psychologism… — Martha Rosler Copy Share Image
How useful are documentary photographs if there is no follow up, no way of knowing what happened next in the story? — Martha Rosler Copy Share Image
Are we asserting the easy dominion of our civilization over all times and all places, as signs that we casually absorb as a form… — Martha Rosler Copy Share Image
Any familiarity with photographic history shows that manipulation is integral to photography. — Martha Rosler Copy Share Image
Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by… — Martha Rosler Copy Share Image
I was concerned with something like the notion of 'language speaking the subject,' and with the transformation of the woman herself into a sign… — Martha Rosler Copy Share Image
The question at hand is the danger posed to truth by computer-manipulated photographic imagery. How do we approach this question in a period in… — Martha Rosler Copy Share Image