There are major advantages to remaining out of the radio for a long time before we have something that crosses into the mainstream properly. — Andrew Wyatt Copy Share Image
I'm not going to get into details, but every band has their moments when things are tough. Just logistically, tough on your body, stress levels, psychologically tough, relationships can be tough. — Andrew Wyatt Copy Share Image
I think a "song" is, like, just play it on the guitar and sing it. You look out and see thousands of covers of… — Andrew Wyatt Copy Share Image
I think it's always a mistake when you start connecting a band to a personality. You begin to limit what you're able to do. — Andrew Wyatt Copy Share Image
I've been studying on my own. I'm not really trained. I went to school for about a year and a half. I never really… — Andrew Wyatt Copy Share Image
"My Trigger" is the best combination of song and track. "Heart Is Full" is maybe the best song we've done as a song, and… — Andrew Wyatt Copy Share Image
There are major advantages to remaining out of the radio for a long time before we have something that crosses into the mainstream properly. — Andrew Wyatt Copy Share Image
If I see a live show and it doesn't have the aspect of danger where it could potentially go wrong, it's not that interesting… — Andrew Wyatt Copy Share Image
I studied classical music for a year. Then, I studied jazz for a year at the New School, and then I got kicked out.… — Andrew Wyatt Copy Share Image
I used to produce this band, Dragons of Zynth. There's something about their live shows, which, to me, is ultimate. I mean, you feel… — Andrew Wyatt Copy Share Image
I was a total music nerd. I grew up on Perry Street in the '80s. My father wrote books about jazz, so I was… — Andrew Wyatt Copy Share Image
You want to achieve the effect, but not necessarily perform the same thing. — Andrew Wyatt Copy Share Image
Some people I see - people who do more or less have prerecorded tracks - their persona is such that the visual side of… — Andrew Wyatt Copy Share Image
