I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my… — Michael Craig-Martin Copy Share Image
The identifying personal association with objects, which are not personal, is an important modern experience - our real association, the strands of… — Michael Craig-Martin Copy Share Image
There was something really wonderful about being able to feel confident about doing my first exhibition in China, that people would have… — Michael Craig-Martin Copy Share Image
I have been using the computer as a work aid since the mid-90's. It is extraordinarily well suited to how I think… — Michael Craig-Martin Copy Share Image
Usually when I go to the Summer Exhibition, I think every room is too much the same, and I loose my capacity… — Michael Craig-Martin Copy Share Image
I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John… — Michael Craig-Martin Copy Share Image
Sometimes we look at a work of art and we immediately think that it is German art, but with some we don't,… — Michael Craig-Martin Copy Share Image
When I was in Wuhan, I went to the art school, which was one of the most important art schools in China,… — Michael Craig-Martin Copy Share Image
I think the best approach is not to be too much like the thing that they are referring to, see it as… — Michael Craig-Martin Copy Share Image
I think that cultural influence is very deep, it is not on the surface and this is true in every culture. — Michael Craig-Martin Copy Share Image
I came to painting through sculpture, to images through objects. I think that images sit in the middle, somewhere between objects and… — Michael Craig-Martin Copy Share Image
I think from an artist's point of view, everything in art, in fact everything in the world is available as material. — Michael Craig-Martin Copy Share Image
I do think I paid a price as an artist, and I am trying to make up for it now - I… — Michael Craig-Martin Copy Share Image
You can't honour someone by copying them or trying to be exactly like them. — Michael Craig-Martin Copy Share Image
There is a complete difference between art and the art market. Prices are high now for the simple reason that there are people are… — Michael Craig-Martin Copy Share Image
I had my exhibition of paintings first in Shanghai, and then recently in Wuhan. Wuhan particularly interested me, because I am 1/8 Chinese. — Michael Craig-Martin Copy Share Image
I try to make images that have the immediate presence we take for granted in objects - a chair, a shoe, a book, a… — Michael Craig-Martin Copy Share Image
You can see in my paintings, I've taken away the context, I've taken away the shadows, I've taken away expression, I've taken away the… — Michael Craig-Martin Copy Share Image
When I told people that I was going to paint the big room magenta, many people thought that I was crazy. — Michael Craig-Martin Copy Share Image
I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German… — Michael Craig-Martin Copy Share Image
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as… — Michael Craig-Martin Copy Share Image
[I] don't want people to see it [paintings] as a specific intention on my part. If somebody has that interest in these objects, of… — Michael Craig-Martin Copy Share Image
I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my work, and… — Michael Craig-Martin Copy Share Image
In the period of '60s to the '90s, British art schools were small, and the number of student was small. The personal contact was… — Michael Craig-Martin Copy Share Image
![“[I] don't want people to see it [paintings] as a…” quote by Michael Craig-Martin](https://sms4smile.com/quotes/img-quotes/2c8/michael-craig-martin-9157_courses_i-don-t-want-people-to-see-it-paintings_421873.jpg)
