With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication. — Lee Krasner Copy Share Image
We get used to a certain kind of colour of form or format, and it's acceptable. And to puncture that is sticking your neck… — Lee Krasner Copy Share Image
All my work keeps going like a pendulum; it seems to swing back to something I was involved with earlier, or it moves between… — Lee Krasner Copy Share Image
You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know,… — Lee Krasner Copy Share Image
The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's… — Lee Krasner Copy Share Image
With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back… — Lee Krasner Copy Share Image
One could go on for ever as to whether the paint should be thick or thin, whether to paint the woman or the square,… — Lee Krasner Copy Share Image
My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and… — Lee Krasner Copy Share Image
I like a canvas to breathe and be alive. Be alive is the point. And, as the limitations are something called pigment and canvas,… — Lee Krasner Copy Share Image
I think my painting is so autobiographical if anyone can take the trouble to read it. — Lee Krasner Copy Share Image
The key is what is within the artist. The artist can only paint what she or he is about. — Lee Krasner Copy Share Image
I think every once in a while I feel the need to break my medium... if I have been doing a very large painting… — Lee Krasner Copy Share Image
