BoJack' is a very much a format-based show. The story should always match the format, but I don't necessarily think the story has to come first. — Raphael Bob-Waksberg Copy Share Image
It's much easier for me to think in terms of character movement and emotion and story rather than, 'What are some wacky hijinks we can throw together?' — Raphael Bob-Waksberg Copy Share Image
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.' — Raphael Bob-Waksberg Copy Share Image
I am doing what I can to expand the tent and bring up other people and make sure we are telling different kinds of… — Raphael Bob-Waksberg Copy Share Image
I think we're so often, as writers, afraid of writing something that is less than perfect, and that fear paralyzes us. I'm a big… — Raphael Bob-Waksberg Copy Share Image
One of the things that set us apart early on, as opposed to other animated shows, was the fact that 'Bojack' was continuous and… — Raphael Bob-Waksberg Copy Share Image
Part of being a writer is just getting it in your bones, getting the muscle memory down, just doing it. — Raphael Bob-Waksberg Copy Share Image
I thought it would be a fun change of pace to do a show about a really sad, depressed character. — Raphael Bob-Waksberg Copy Share Image
I want each season to feel new and special. I don't want it to feel, "Oh, more of this." That's something that's easy to… — Raphael Bob-Waksberg Copy Share Image
So many cartoons are about real fun, happy-go-lucky simpletons. — Raphael Bob-Waksberg Copy Share Image
Art is a dialogue. I'm throwing rocks across a chasm and hoping people catch them on the other side. — Raphael Bob-Waksberg Copy Share Image
I think it's good to leave people with the memory of that being a great character. And if we have a reason to bring… — Raphael Bob-Waksberg Copy Share Image
I've written six seasons of a TV show with great help from an incredible staff of writers and other collaborators, but I still feel… — Raphael Bob-Waksberg Copy Share Image
