Photographs trade simultaneously on the prestige of art and the magic of the real. — Susan Sontag Copy Share Image
“If there can be a better way for the real world to include the one of images, it will require an ecology… — Susan Sontag Copy Share Image
Authoritarian political ideologies have a vested interest in promoting fear, a sense of the imminence of takeover by aliens and real diseases… — Susan Sontag Copy Share Image
A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a… — Susan Sontag Copy Share Image
The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give… — Susan Sontag Copy Share Image
...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self… — Susan Sontag Copy Share Image
The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience… — Susan Sontag Copy Share Image
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity… — Susan Sontag Copy Share Image
Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the… — Susan Sontag Copy Share Image
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content… — Susan Sontag Copy Share Image
Al forms of consensus about ''great'' books and ''perennial'' problems, once stabilized, tend to deteriorate eventually into something philistine. The real life… — Susan Sontag Copy Share Image
Knowing a great deal about what is in the world art, catastrophe, the beauties of nature through photographic images, people are frequently… — Susan Sontag Copy Share Image
the appetite for thinking must be regulated, as all sensible people know, for it may stifle one's life. — Susan Sontag Copy Share Image
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or… — Susan Sontag Copy Share Image
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a… — Susan Sontag Copy Share Image
Anthropology has always struggled with an intense, fascinated repulsion towards its subject.... [The anthropologist] submits himself to the exotic to confirm his own inner… — Susan Sontag Copy Share Image
“Why not eliminate schooling between age 12-16? It’s biologically + psychologically too turbulent a time to be cooped up inside, made to sit all… — Susan Sontag Copy Share Image
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never… — Susan Sontag Copy Share Image
One set of messages of the society we live in is: Consume. Grow. Do what you want. Amuse yourselves. The very working of this… — Susan Sontag Copy Share Image
Currently intellectuals in Western Europe and North America are extremely demoralized and shaken by the rise of a virulent conservative tendency (which some have… — Susan Sontag Copy Share Image
With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the… — Susan Sontag Copy Share Image
As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb.… — Susan Sontag Copy Share Image
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different; but… — Susan Sontag Copy Share Image