Even though I teach with 35mm, my method takes people by surprise, because it isn't fast, and it isn't about hardware or… — Sam Abell Copy Share Image
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would… — Sam Abell Copy Share Image
The longer we lived with it the more we wanted something less about process and more about life. — Sam Abell Copy Share Image
The neatest part of this book I'm working on - to me - are the pictures that show the process... Because photographers...… — Sam Abell Copy Share Image
The thing with my workshops is, photography is a thoughtful process. In an atmosphere of fast photography, and generally thoughtless, quick, automatic… — Sam Abell Copy Share Image
Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay. — Sam Abell Copy Share Image
I did it once, and National Geographic recruited me. I did it primarily out of curiosity. A lot of legendary photographers had worked on… — Sam Abell Copy Share Image
I can't speak for other photographers, but the photographers who went forward strongly when the so-called "official" part of their career ended, to me,… — Sam Abell Copy Share Image
Actually, ambition won't get you that far. You'll shift gears. You'll see something that's shinier. But if you believe... then you're the long-distance runner. — Sam Abell Copy Share Image
A mad, keen photographer needs to get out into the world and work and make mistakes. — Sam Abell Copy Share Image
I have this awareness that the more dynamic the situation is, the more on guard I need to be that the dynamic isn't controlling… — Sam Abell Copy Share Image
What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime. — Sam Abell Copy Share Image
Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest - a distant horizon, a moment of… — Sam Abell Copy Share Image
Photographs that transcend but do not deny their literal situation appeal to me. — Sam Abell Copy Share Image
I wanted life to be episodic. I wanted to be a magazine photographer and I was willing to do what it took to become… — Sam Abell Copy Share Image
That statement [ Stephen Ambrose:'You, Sam, have the hardest job, which is, pretend like nothing has happened in the last 200 years.'] woke me… — Sam Abell Copy Share Image
