The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, with their polished metallic surfaces. — Peter C Bunnell Copy Share Image
Each image suggests an inner reality, a kind of scar of the past, a reflection of an act or an event once lived. — Peter C Bunnell Copy Share Image
Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we do not see,… — Peter C Bunnell Copy Share Image
The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like… — Peter C Bunnell Copy Share Image
Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insinuate, and may… — Peter C Bunnell Copy Share Image
In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary.… — Peter C Bunnell Copy Share Image
In photography, the issue of the integration of form and content is exceptionally difficult because of the widely held belief that photographs must be… — Peter C Bunnell Copy Share Image
