Alexander Trocchi was an existentialist. He was looking at an alienated artist in the post-war period. It's modern because it applies now as well. — Tilda Swinton Copy Share Image
I think there's a dishonorable tradition in Hollywood to give the idea, particularly to children, that evil characters are dark. — Tilda Swinton Copy Share Image
The Ancient One, as you know, is the master, is the Sorcerer Supreme, and [Doctor] Strange comes to learn how to heal himself and The Ancient One has got the knowledge. And so what you're seeing today is a part of the whole training section when he's learning the moves and digging deep. So it's all about that, it's all… — Tilda Swinton Copy Share
I'll tell you one thing, and this is banal to say because it just makes it sound like it's all planned, and nothing is… — Tilda Swinton Copy Share Image
I remember noticing, when I had my babies, how much I liked them, and not just loved them, but I was really into them.… — Tilda Swinton Copy Share Image
What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact. — Tilda Swinton Copy Share Image
I wasn't around when Nic was playing Donald. I was around with Charlie. — Tilda Swinton Copy Share Image
I never quite understand the way society decides who is beautiful and who is not. But an open face and a capacity for kindness… — Tilda Swinton Copy Share Image
When I'm in northern Italy, I walk about feeling slightly less of a freak. — Tilda Swinton Copy Share Image
Nic's Charlie is something very particular. You can't really put them together. It's a phantasm. — Tilda Swinton Copy Share Image
