People robbed of their past seem to make the most fervent picture takers, at home and abroad. — Susan Sontag Copy Share Image
In America, the photographer is not simply the person who records the past, but the one who invents it. — Susan Sontag Copy Share Image
I don't consider devotion to the past a form of snobbery. Just one of the more disastrous forms of unrequited love. — Susan Sontag Copy Share Image
The particular qualities and intentions of photographs tend to be swallowed up in the generalized pathos of time past. — Susan Sontag Copy Share Image
Existence is no more than the precarious attainment of relevance in an intensely mobile flux of past, present, and future. — Susan Sontag Copy Share Image
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked… — Susan Sontag Copy Share Image
As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space… — Susan Sontag Copy Share Image
Photographs are a way of imprisoning reality...One can't possess reality, one can possess images--one can't possess the present but one can possess… — Susan Sontag Copy Share Image
Everyone who lives in an industrialized society is obliged gradually to give up the past, but in certain countries, such as the… — Susan Sontag Copy Share Image
It's a pleasure to share one's memories. Everything remembered is dear, endearing, touching, precious. At least the past is safe though we… — Susan Sontag Copy Share Image
To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years… — Susan Sontag Copy Share Image
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can… — Susan Sontag Copy Share Image
“We are told we must choose — the old or the new. In fact, we must choose both. What is a life… — Susan Sontag Copy Share Image
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can… — Susan Sontag Copy Share Image
The fear of AIDS imposes on an act whose ideal is an experience of pure presentness (and a creation of the future)… — Susan Sontag Copy Share Image
A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people,… — Susan Sontag Copy Share Image
The past itself, as historical change continues to accelerate, has become the most surreal of subjects - making it possible... to see… — Susan Sontag Copy Share Image
the appetite for thinking must be regulated, as all sensible people know, for it may stifle one's life. — Susan Sontag Copy Share Image
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or… — Susan Sontag Copy Share Image
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a… — Susan Sontag Copy Share Image
Anthropology has always struggled with an intense, fascinated repulsion towards its subject.... [The anthropologist] submits himself to the exotic to confirm his own inner… — Susan Sontag Copy Share Image
“Why not eliminate schooling between age 12-16? It’s biologically + psychologically too turbulent a time to be cooped up inside, made to sit all… — Susan Sontag Copy Share Image
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never… — Susan Sontag Copy Share Image
One set of messages of the society we live in is: Consume. Grow. Do what you want. Amuse yourselves. The very working of this… — Susan Sontag Copy Share Image
Currently intellectuals in Western Europe and North America are extremely demoralized and shaken by the rise of a virulent conservative tendency (which some have… — Susan Sontag Copy Share Image
With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the… — Susan Sontag Copy Share Image
As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb.… — Susan Sontag Copy Share Image
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different; but… — Susan Sontag Copy Share Image