One of the things I really love about 3D is that because as we grow older on eye weakens more than the… — Joe Wright Copy Share Image
3D doesn't work quite so well with quick cuts and I probably would have done some longer takes had I really taken… — Joe Wright Copy Share Image
I was really excited to try 3D and play with it really, again, experiment formally with that extra dimension. — Joe Wright Copy Share Image
I'm quite spontaneous in my decisions often. Your career is kind of what happens whilst you're busy developing other screenplays, and so… — Joe Wright Copy Share Image
I'm very interested in dance, and I'm very interested in how people express themselves through movement. And of course, cinema is a kinetic art… — Joe Wright Copy Share Image
I consider all drama to be the opportunity to see the world from another person's point of view. That seems to be the point… — Joe Wright Copy Share Image
You need a pulse in a film. If I see a film that doesn't have rhythm, it's like listening to music that doesn't have… — Joe Wright Copy Share Image
I worked hard, but I was lucky the right people happened to see my work. — Joe Wright Copy Share Image
I've been wanting for some time to find a way of stylizing cinema and trying to get closer to the emotional story I was… — Joe Wright Copy Share Image
I don't ever want to go backwards, I quite like it. I like the freedom and I like the - What I set out… — Joe Wright Copy Share Image
With 'Atonement,' I put a lot of pressure on myself, and then I made an advert for Chanel, which 'broke the camel's back' emotionally. — Joe Wright Copy Share Image
'Hanna' was nice. It was Saoirse Ronan's idea. Usually, the director casts the actor, but in this case, the actor cast the director. — Joe Wright Copy Share Image
One of the things I really love about 3D is that because as we grow older on eye weakens more than the other, 3D… — Joe Wright Copy Share Image
