With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated… — Krzysztof Penderecki Copy Share Image
Listen to the triple fugue in 'Magnificat' - the first subject is seven voices, the second one has 52 different voices, the third uses five; then I combine all together. Such textures you cannot call primitive. — Krzysztof Penderecki Copy Share Image
I started to write religious music at a time when it was absolutely impossible. The first religious work I wrote was the 'Psalms of… — Krzysztof Penderecki Copy Share Image
I started with very tonal 19th-century music because I wanted to be a violinist as a child. So this was my first music, and… — Krzysztof Penderecki Copy Share Image
The communists saw what we did in the arts as the only product of socialism that was known in the West, so they tolerated… — Krzysztof Penderecki Copy Share Image
When the Second World War started, I was only five but I still remember... Being a witness... I wanted people to remember what happened… — Krzysztof Penderecki Copy Share Image
I must never change my way - because of critics who may not like it - I preserve my language and my style. — Krzysztof Penderecki Copy Share Image
Chopin is a great composer who influenced many, many important composers. He was a great innovator, especially in harmony. — Krzysztof Penderecki Copy Share Image
At school, I wrote in the style of the Dutch composers. After I graduated, a new style set in. — Krzysztof Penderecki Copy Share Image
