The short story is at an advantage over the novel, and can claim its nearer kinship to poetry, because it must be more concentrated, can be more visionary, and is not weighed down (as the novel is bound to be)… — Elizabeth Bowen Copy Share Image
Temperamentally, the writer exists on happenings, on contacts, conflicts, action and reaction, speed, pressure, tension. Were he acontemplative purely, he would not write. — Elizabeth Bowen Copy Share Image
“Are you really an orphan? Yes, I am, said Portia a shade shortly. Are you? No, not at present, but I suppose it's a… — Elizabeth Bowen Copy Share Image
It is not our exalted feelings, it is our sentiments that build the necessary home. — Elizabeth Bowen Copy Share Image
Every love has a poetic relevance of its own; each love brings to light only what to it is relevant. Outside lies the junk-yard… — Elizabeth Bowen Copy Share Image
without fiction, either life would be insufficient or the winds from the north would blow too cold. — Elizabeth Bowen Copy Share Image
One's sentiments -- call them that -- one's fidelities are so instinctive that one hardly knows they exist: only when they are betrayed or,… — Elizabeth Bowen Copy Share Image
Only in a house where one has learnt to be lonely does one have this solicitude for things. One's relation to them, the daily… — Elizabeth Bowen Copy Share Image
To walk into history is to be free at once, to be at large among people. — Elizabeth Bowen Copy Share Image
The wish to lead out one's lover must be a tribal feeling; the wish to be seen as loved is part of one's self-respect. — Elizabeth Bowen Copy Share Image
“First love, with its frantic haughty imagination, swings its object clear of the everyday, over the rut of living, making him all looks, silences,… — Elizabeth Bowen Copy Share Image
