Temperamentally, the writer exists on happenings, on contacts, conflicts, action and reaction, speed, pressure, tension. Were he acontemplative purely, he would not… — Elizabeth Bowen Copy Share Image
... in nine out of ten cases the original wish to write is the wish to make oneself felt[ellipsis in source] the… — Elizabeth Bowen Copy Share Image
The novelist's--any writer's--object is to whittle down his meaning to the exactest and finest possible point. What, of course, isfatal is when… — Elizabeth Bowen Copy Share Image
The writer, unlike his non-writing adult friend, has no predisposed outlook; he seldom observes deliberately. He sees what he didnot intend to… — Elizabeth Bowen Copy Share Image
Dialogue should convey a sense of spontaneity but eliminate the repetitiveness of real talk. — Elizabeth Bowen Copy Share Image
Often when I write I am trying to make words do the work of line and color. I have the painter's sensitivity… — Elizabeth Bowen Copy Share Image
Style is the thing that's always a bit phony, and at the same time you cannot write without style. — Elizabeth Bowen Copy Share Image
My writing, I am prepared to think, may be a substitute for something I have been born without - a so-called normal… — Elizabeth Bowen Copy Share Image
writers do not find subjects: subjects find them. There is not so much a search as a state of open susceptibility. — Elizabeth Bowen Copy Share Image
The writer, like a swimmer caught by an undertow, is borne in an unexpected direction. He is carried to a subject which… — Elizabeth Bowen Copy Share Image
Dialogue must appear realistic without being so. Actual realism-the lifting, as it were, of passages from a stenographer's take-down of a 'real… — Elizabeth Bowen Copy Share Image
... it appears to me that problems, inherent in any writing, loom unduly large when one looks ahead. Though nothing is easy,… — Elizabeth Bowen Copy Share Image
Though not all reading children grow up to be writers, I take it that most creative writers must in their day have… — Elizabeth Bowen Copy Share Image
Characters are not created by writers. They pre-exist and have to be found. — Elizabeth Bowen Copy Share Image
The story must spring from an impression or perception pressing enough to have made the writer write. It should magnetize the imagination… — Elizabeth Bowen Copy Share Image
Jane Austen, much in advance of her day, was a mistress of the use of the dialogue. She used it as dialogue… — Elizabeth Bowen Copy Share Image
[A writer] should try not to be too far, personally, below the level of his work. — Elizabeth Bowen Copy Share Image
The importance to the writer of first writing must be out of all proportion of the actual value of what is written. — Elizabeth Bowen Copy Share Image
[My early stories] are the work of a living writer whom I know in a sense, but can never meet. — Elizabeth Bowen Copy Share Image
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It… — Elizabeth Bowen Copy Share Image
Nothing arrives on paper as it started, and so much arrives that never started at all. To write is always to rave… — Elizabeth Bowen Copy Share Image
Dialogue is the ideal means of showing what is between the characters. It crystallizes relationships. It should, ideally, be so effective as… — Elizabeth Bowen Copy Share Image
Temperamentally, the writer exists on happenings, on contacts, conflicts, action and reaction, speed, pressure, tension. Were he acontemplative purely, he would not write. — Elizabeth Bowen Copy Share Image
“Are you really an orphan? Yes, I am, said Portia a shade shortly. Are you? No, not at present, but I suppose it's a… — Elizabeth Bowen Copy Share Image
It is not our exalted feelings, it is our sentiments that build the necessary home. — Elizabeth Bowen Copy Share Image
Every love has a poetic relevance of its own; each love brings to light only what to it is relevant. Outside lies the junk-yard… — Elizabeth Bowen Copy Share Image
without fiction, either life would be insufficient or the winds from the north would blow too cold. — Elizabeth Bowen Copy Share Image
One's sentiments -- call them that -- one's fidelities are so instinctive that one hardly knows they exist: only when they are betrayed or,… — Elizabeth Bowen Copy Share Image
Only in a house where one has learnt to be lonely does one have this solicitude for things. One's relation to them, the daily… — Elizabeth Bowen Copy Share Image
To walk into history is to be free at once, to be at large among people. — Elizabeth Bowen Copy Share Image
The wish to lead out one's lover must be a tribal feeling; the wish to be seen as loved is part of one's self-respect. — Elizabeth Bowen Copy Share Image
“First love, with its frantic haughty imagination, swings its object clear of the everyday, over the rut of living, making him all looks, silences,… — Elizabeth Bowen Copy Share Image