The short story is at an advantage over the novel, and can claim its nearer kinship to poetry, because it must be… — Elizabeth Bowen Copy Share Image
A novel which survives, which withstands and outlives time, does do something more than merely survive. It does not stand still. It… — Elizabeth Bowen Copy Share Image
What is a novel? I say: an invented story. At the same time a story which, though invented has the power to… — Elizabeth Bowen Copy Share Image
Art, at any rate in a novel, must be indissolubly linked with craft. — Elizabeth Bowen Copy Share Image
No one of the characters in my novels has originated, so far as I know, in real life. If anything, the contrary… — Elizabeth Bowen Copy Share Image
the slight sense of degeneracy induced by reading novels before luncheon — Elizabeth Bowen Copy Share Image
Dialogue must appear realistic without being so. Actual realism-the lifting, as it were, of passages from a stenographer's take-down of a 'real… — Elizabeth Bowen Copy Share Image
... into the novel goes such taste as I have for rational behaviour and social portraiture. The short story, as I see… — Elizabeth Bowen Copy Share Image
In 'real life' everything is diluted; in the novel everything is condensed. — Elizabeth Bowen Copy Share Image
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It… — Elizabeth Bowen Copy Share Image
Roughly, the action of a character should be unpredictable before it has been shown, inevitable when it has been shown. In the… — Elizabeth Bowen Copy Share Image
If a theme or idea is too near the surface, the novel becomes simply a tract illustrating an idea. — Elizabeth Bowen Copy Share Image
The novel does not simply recount experience, it adds to experience. — Elizabeth Bowen Copy Share Image
... a novel survives because of its basic truthfulness, its having within it something general and universal, and a quality of imaginative… — Elizabeth Bowen Copy Share Image
Yes, writing a novel, my boy, is like driving pigs to market - you have one of them making a bolt down… — Elizabeth Bowen Copy Share Image
Short of a small range of physical acts-a fight, murder, lovemaking-dialogue is the most vigorous and visible inter-action of which characters in… — Elizabeth Bowen Copy Share Image
Temperamentally, the writer exists on happenings, on contacts, conflicts, action and reaction, speed, pressure, tension. Were he acontemplative purely, he would not write. — Elizabeth Bowen Copy Share Image
“Are you really an orphan? Yes, I am, said Portia a shade shortly. Are you? No, not at present, but I suppose it's a… — Elizabeth Bowen Copy Share Image
It is not our exalted feelings, it is our sentiments that build the necessary home. — Elizabeth Bowen Copy Share Image
Every love has a poetic relevance of its own; each love brings to light only what to it is relevant. Outside lies the junk-yard… — Elizabeth Bowen Copy Share Image
without fiction, either life would be insufficient or the winds from the north would blow too cold. — Elizabeth Bowen Copy Share Image
One's sentiments -- call them that -- one's fidelities are so instinctive that one hardly knows they exist: only when they are betrayed or,… — Elizabeth Bowen Copy Share Image
Only in a house where one has learnt to be lonely does one have this solicitude for things. One's relation to them, the daily… — Elizabeth Bowen Copy Share Image
To walk into history is to be free at once, to be at large among people. — Elizabeth Bowen Copy Share Image
The wish to lead out one's lover must be a tribal feeling; the wish to be seen as loved is part of one's self-respect. — Elizabeth Bowen Copy Share Image
“First love, with its frantic haughty imagination, swings its object clear of the everyday, over the rut of living, making him all looks, silences,… — Elizabeth Bowen Copy Share Image
