In 1979, I moved to England and photographed Joy Division and Bowie and Beefheart. At that time I got images that I felt had that special, well - power is a big word to say - more like intimacy and… — Anton Corbijn Copy Share Image
You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. — Anton Corbijn Copy Share Image
I don't think I treat my film work as an extension of my photography. There are two different sets of rules there. — Anton Corbijn Copy Share Image
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't… — Anton Corbijn Copy Share Image
I feel that when I shoot anything, and I have something beautiful, I just move on. — Anton Corbijn Copy Share Image
I've done an incredible amount of painters. It's an area, for me, where there's more mystery left. I've photographed so many musicians, I've been… — Anton Corbijn Copy Share Image
By self-analysis you can not change your character, but you may change your mentality. — Anton Corbijn Copy Share Image
I don’t crop my images and I always shoot handheld. By doing that I build in a kind of imperfection and this helps to… — Anton Corbijn Copy Share Image
I don't have lights, I don't have assistants, I just go and meet somebody and take a photograph. That's really basic, and that's how… — Anton Corbijn Copy Share Image
I've gotten used to not looking too far into the future; it's best when you can begin each day anew. — Anton Corbijn Copy Share Image
I work using the Brian Eno school of thinking: limit your tools, focus on one thing and just make it work… You become very… — Anton Corbijn Copy Share Image
I wanted to do a film for a while, but I never found a script that I felt I was going to be the… — Anton Corbijn Copy Share Image
