The really simple approach to photography is a great balance to making the films. — Anton Corbijn Copy Share Image
I wanted to make a film as an artist, and it's going to have to find an audience, you know. I don't… — Anton Corbijn Copy Share Image
I only make storyboards for action scenes. Once you make a storyboard, you don't film; it can be a stiff move. — Anton Corbijn Copy Share Image
When you make a movie, you know you're making a long-form thing, so the visuals are different than for a video where… — Anton Corbijn Copy Share Image
I don't think I treat my film work as an extension of my photography. There are two different sets of rules there. — Anton Corbijn Copy Share Image
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because… — Anton Corbijn Copy Share Image
For many years I wanted to do a film, but I never had the courage to clear my desk and say, 'OK… — Anton Corbijn Copy Share Image
I don't want to knock photography, and I don't feel that film is up there but photography isn't. I think they're next… — Anton Corbijn Copy Share Image
The only advantage of the CD is that you have a booklet that can tell a bit of a story, but the… — Anton Corbijn Copy Share Image
I wanted to do a film for a while, but I never found a script that I felt I was going to… — Anton Corbijn Copy Share Image
Once you make decisions, you can't go back, but in photography, that process can continue. With film, you have to eliminate all… — Anton Corbijn Copy Share Image
I didn't really know how to make a film when I made 'Control'. I had to create my own language, just as… — Anton Corbijn Copy Share Image
I've always thought photography was a bit of an adventure, so to come home with the film, develop it, then look at… — Anton Corbijn Copy Share Image
With a film, you try to keep your vision in it. I think with 'The American' and 'Control' I managed to do… — Anton Corbijn Copy Share Image
If you're an artist, it's OK to put your money into your art. The advantage, in hindsight, is that you become the… — Anton Corbijn Copy Share Image
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be… — Anton Corbijn Copy Share Image
Film was something that I didn't see as a step up from music videos, though obviously, music videos, the fact that you… — Anton Corbijn Copy Share Image
I don't think I treat my film work as an extension of my photography. There are two different sets of rules there. — Anton Corbijn Copy Share Image
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't… — Anton Corbijn Copy Share Image
I feel that when I shoot anything, and I have something beautiful, I just move on. — Anton Corbijn Copy Share Image
I've done an incredible amount of painters. It's an area, for me, where there's more mystery left. I've photographed so many musicians, I've been… — Anton Corbijn Copy Share Image
By self-analysis you can not change your character, but you may change your mentality. — Anton Corbijn Copy Share Image
I don’t crop my images and I always shoot handheld. By doing that I build in a kind of imperfection and this helps to… — Anton Corbijn Copy Share Image
I don't have lights, I don't have assistants, I just go and meet somebody and take a photograph. That's really basic, and that's how… — Anton Corbijn Copy Share Image
I've gotten used to not looking too far into the future; it's best when you can begin each day anew. — Anton Corbijn Copy Share Image
I work using the Brian Eno school of thinking: limit your tools, focus on one thing and just make it work… You become very… — Anton Corbijn Copy Share Image
I wanted to do a film for a while, but I never found a script that I felt I was going to be the… — Anton Corbijn Copy Share Image
