For the eternity that Lux Lisbon looked at him, Trip Fontaine looked back, and the love he felt at that moment, truer than all subsequent loves because it never had to survive real life, still plagued him, even now in… — Jeffrey Eugenides Copy Share Image
“Only the Lisbon house remained dark, a tunnel, an emptiness, past our smoke and flames.” — Jeffrey Eugenides Copy Share Image
“She had just started living like a grown-up and she'd never felt more vulnerable, frightened or confused in her life.” — Jeffrey Eugenides Copy Share Image
It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, "Stay there. Don't move. — Jeffrey Eugenides Copy Share Image
“The window was still open,” Mr Lisbon said. “I don’t think we’d ever remembered to shut it. It was all clear to me. I… — Jeffrey Eugenides Copy Share Image
I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough.… — Jeffrey Eugenides Copy Share Image
“Dr. Armonson stitched up her wrist wounds. Within five minutes of the transfusion he declared her out of danger. Chucking her under the chin,… — Jeffrey Eugenides Copy Share Image
“I don't approve of women driving, mind you. And now they get to vote!" He grumbled to himself. "Remember that play we saw ("The… — Jeffrey Eugenides Copy Share Image
I know that attaching memories to books may be going out of the world, but while it lasts, it's a strong record of your… — Jeffrey Eugenides Copy Share Image
I spend most of every day writing. I like to write every day if I can. I don't start extremely early. — Jeffrey Eugenides Copy Share Image
Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. — Jeffrey Eugenides Copy Share Image
