Every film I try and make it the way I see it in my head, and it really just depends on the… — Duncan Jones Copy Share Image
You go through different stages when you're working on the music in film. At least, I do. You have a temp score,… — Duncan Jones Copy Share Image
I had a real comfort with being on a set and in particular working with special effects and because of that background,… — Duncan Jones Copy Share Image
My biggest difference with our film and those kinds of science fiction films is that they are going from one special effect… — Duncan Jones Copy Share Image
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about.… — Duncan Jones Copy Share Image
I was doing the promotion for Moon in LA at the same time that Tony Scott was there with [The Taking of]… — Duncan Jones Copy Share Image
You have to be flexible enough to realize that, over the course of making a film for three and a half years,… — Duncan Jones Copy Share Image
When we first made this whole idea this was going to be calling card film [Moon] and it was going to give… — Duncan Jones Copy Share Image
I've worked really hard to build up a career on my own. I turned 30 recently and it took me a long… — Duncan Jones Copy Share Image
We rehearsed for a bit for an Indie film, which is kind of unusual, we had a week of rehearsals before we… — Duncan Jones Copy Share Image
I think there is also a certain degree of expectation that's set up by trailers, where even if you know what's going… — Duncan Jones Copy Share Image
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it,… — Duncan Jones Copy Share Image
I think we tried to make a film [Moon] that was about human beings as opposed to going from one special effects… — Duncan Jones Copy Share Image
Obviously, there's a big homage to Outland in Moon. I obviously had Ridley Scott's response, which was great. But Peter Hyams really… — Duncan Jones Copy Share Image
I'm not Akira Kurosawa. He used to write...He used to write a completely new spec script over a couple of nights. I'm… — Duncan Jones Copy Share Image
I want to do my Blade Runner, which is like a future Berlin film, which is like a thriller, but it's much… — Duncan Jones Copy Share Image
The films that I loved growing up were the science fiction films from the late seventies and early eighties [films], which were… — Duncan Jones Copy Share Image
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight… — Duncan Jones Copy Share Image
There is this whole level of communication that I think our generation and younger is used to that does have this weird… — Duncan Jones Copy Share Image
One of the biggest changes for me on a practical level of shooting the film was having a second unit. — Duncan Jones Copy Share Image
Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits and the cute creatures are… — Duncan Jones Copy Share Image
Everyone wants to know what you want to work on and everyone wants to pitch you what they're working on. And that's… — Duncan Jones Copy Share Image
I've been working my way to doing my first feature film for about ten years. So I went through the commercials route… — Duncan Jones Copy Share Image
For me, two of my favourite science fiction films are Blade Runner, which is fantastic, and Terry Gilliam's Twelve Monkeys. Both of… — Duncan Jones Copy Share Image
In my opinion, having worked in the games industry and still keeping in touch with a lot of those guys, there was… — Duncan Jones Copy Share Image
Here in the UK the audience immediately reacts and they get the fact that: "What would be the most annoying thing in the world?"… — Duncan Jones Copy Share Image
One of the things I think is unique and signature about Blizzard is that whenever they do their games, and with Warcraft in particular,… — Duncan Jones Copy Share Image
Maybe there is a sort of a sweet middle ground there, where you can do something with something with like 20 to 40 million… — Duncan Jones Copy Share Image
The beauty of science fiction is its open canvas. You can hypothesize about any element of the world. It doesn't have to be laser… — Duncan Jones Copy Share Image
Sometimes there's a disjoint between what works on the page and what works with visual story telling. — Duncan Jones Copy Share Image
Every film I try and make it the way I see it in my head, and it really just depends on the script and… — Duncan Jones Copy Share Image
You go through different stages when you're working on the music in film. At least, I do. You have a temp score, so you… — Duncan Jones Copy Share Image
I really don't see CG as a goal in its own right. I really do believe it's a tool. In the advertising industry I… — Duncan Jones Copy Share Image
I had a real comfort with being on a set and in particular working with special effects and because of that background, it became… — Duncan Jones Copy Share Image
My biggest difference with our film and those kinds of science fiction films is that they are going from one special effect set piece… — Duncan Jones Copy Share Image
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest… — Duncan Jones Copy Share Image
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