“The exhibition strategy always resounds to access and sustainability issues, and must rescind to a given budget. It is not the design per se, but an approach to the design. It can often be best described through images showing the… — Philip Hughes Copy Share Image
“2. The visitor • Ask your client to pass on information about their current audience and any new audiences they would like to attract. • Research the audience carefully and try to find out what might attract it. • Build up a visual archive of "moodboard" images from your research. • Respond to visitors' diverse learning styles by providing a… — Philip Hughes Copy Share
“ Writing an interactive brief 1. The contest of the interactive(s) within the story of the exhibition. 2. The key content messages. 3. Key learning outcomes—what should the visitor take away from the experience? 4. Details of the assets available—this could be a list of objects, set of reference images, data information or moving film footage. 5. Audience profile—who is… — Philip Hughes Copy Share
“In most cases, very long lines of text are avoided, especially at a low level. Area titles of chapter headings are usually mounted above… — Philip Hughes Copy Share Image
“The first rule is that all corporate signage but be scrupulously reproduced; normally no company or institution allows their corporate logo to be altered. However, beyond the obvious strictures of corporate graphics, the further interpretation of the brand is in the creative domain of the designer. As long as he or she can argue convincingly that their ideas coincide with… — Philip Hughes Copy Share
“[...] interactive media is no longer a novelty [...]—it is an expectation.” — Philip Hughes Copy Share Image
“What kind of thing is the religion those writings describe? The first difficulty before the enquirer is that the writings do not profess to describe any religion at all, but are supplementary to the basic knowledge which they presuppose. The collection is made up of a variety of things. There are short accounts of the life and death of Jesus… — Philip Hughes Copy Share
“ 10. Materials • Examine the durability, fixing methods, cost, sheet size and ease of use of materials. • Check the fire rating of materials to ensure that they conform to local fire regulations. • Specify combinations of materials and types of construction accurately, in conformity with local building regulations. Where possible, be specific about the supplier of a material,… — Philip Hughes Copy Share
“This "take home" aspect of modern exhibitions has parallels with the traditional "giveaways" handed out to visitors and the themed trinkets from the museum shop. The important difference is that data capture at exhibitions allows institutions to draw the Internet traffic of their target audiences into their digital space, delivering the kind of marketing benefits that mere branded trinkets can… — Philip Hughes Copy Share
“5. 3-D design skills • Generate guiding ideas through research, mindmapping and personal observation. • Research and analyze relevant precedents. • Refer to the… — Philip Hughes Copy Share Image
“[Historically] display cases with thick wooden frames were the staple of most museum collections, providing security and protection from theft and damage. In conjunction… — Philip Hughes Copy Share Image
“1. Then brief Be clear about what you're required to do. Make sure the brief allows for creative interpretation. Research the subject and the… — Philip Hughes Copy Share Image
“[...] exhibition designers must be able to manage and work creatively with the digital information that surrounds and exhibition. Increasingly, the assets of a… — Philip Hughes Copy Share Image
![“[...] interactive media is no longer a novelty [...]—it is an expectation.” quote by Philip Hughes](https://sms4smile.com/quotes/img-quotes/a9d/philip-hughes-17350_quote_interactive-media-is-no-longer-a-novelty_300299.jpg)
![“[Historically] display cases with thick wooden frames were the staple of most museum collections, providing security and protection from theft and damage. In conjunction with poor lighting, the glass of these cases meant that many exhibits were difficult to see and also created an important…” quote by Philip Hughes](https://sms4smile.com/quotes/img-quotes/b70/philip-hughes-17350_cybersecurity_historically-display-cases-with-thick-wo_489415.jpg)
![“[...] exhibition designers must be able to manage and work creatively with the digital information that surrounds and exhibition. Increasingly, the assets of a museum will include an electronic database that can be accessed through websites, apps and creative interactive devices within the…” quote by Philip Hughes](https://sms4smile.com/quotes/img-quotes/dc4/philip-hughes-17350_technology_exhibition-designers-must-be-able-to-man_527168.jpg)