When my father made 'Jean de Florette' and 'Manon des Sources' back to back, everybody said, 'Why two movies?' But you need two movies to show how criminality evolves, and to tell the story: You can't show a man in… — Thomas Langmann Copy Share Image
My dad always, he helped me by not helping me. He always said, being a producer, it was all about conviction. — Thomas Langmann Copy Share Image
When my father made 'Jean de Florette' and 'Manon des Sources' back to back, everybody said, 'Why two movies?' But you need two movies… — Thomas Langmann Copy Share Image
It doesn't matter if it's black-and-white. If a movie has a story that is filled with emotion, you can have as much pleasure, and… — Thomas Langmann Copy Share Image
Cinema is gambling. It is better to gamble on a unique film even if it seems like suicide. — Thomas Langmann Copy Share Image
I reread Mesrine's book every year because the way the story is told is fascinating. Today, we don't have gangsters like Mesrine - he… — Thomas Langmann Copy Share Image
I was raised in a family where cinema was a way of life. It was not only about making films, it was relationship, passion,… — Thomas Langmann Copy Share Image
Not many French producers work the American way. In France, the director decides everything, he has final cut. I'm trying to do things differently,… — Thomas Langmann Copy Share Image
Being recognized by Hollywood is a dream true; it's really an amazing moment. — Thomas Langmann Copy Share Image
