My focus will always be crime, but it might not always be fiction, nor always for adults, nor books entirely in prose.… — Sarah Weinman Copy Share Image
We tend to think of crime fiction as reading designed for entertainment - not education. It delivers an almost pure kind of… — Sarah Weinman Copy Share Image
When a novel is based on an actual crime, it should do much more than loosely fictionalize it. The novel must stand… — Sarah Weinman Copy Share Image
Imagine a world, if you will, where crime does not exist. A startling proposition that seems outlandish, but our imaginations, of course,… — Sarah Weinman Copy Share Image
How can quality crime fiction not be produced with available subject matters as the Industrial Revolution, the Napoleonic Wars, the creation of… — Sarah Weinman Copy Share Image
'The Choirboys' is very much a product of its mid-1970s time, especially in its two-dimensional portrayals of cop groupies Ora Lee and Carolina Moon,… — Sarah Weinman Copy Share Image
America in the 1800s isn't quite the historical mystery hotbed as the same period in the country it bested in the War of Independence,… — Sarah Weinman Copy Share Image
While every historical era has its unique appeal as a setting for tales of crime and detection, the 19th century is exceptional - it… — Sarah Weinman Copy Share Image
After so many attempts to mount a musical version of 'Lolita,' the project was well and truly dead by the summer of 1971. Chief… — Sarah Weinman Copy Share Image
My one criticism of Vertigo Crime to date is that it's been a boys' club, reveling in violence that, while entertainingly lurid, lacks depth.… — Sarah Weinman Copy Share Image
My focus will always be crime, but it might not always be fiction, nor always for adults, nor books entirely in prose. That's a… — Sarah Weinman Copy Share Image
First, a confession: I liked 'The Da Vinci Code.' This news is even more of a surprise to me than it might be to… — Sarah Weinman Copy Share Image
Having set its tonal template, Vertigo Crime laid low for a few months before starting in earnest at the beginning of 2010. — Sarah Weinman Copy Share Image
'The Chill,' by Jason Starr and Mick Bertilorenzi, was both a wise and nervy choice to start the year: Starr's standalone novels, such as… — Sarah Weinman Copy Share Image
The interior nature of 'Basic Black' is central to its unfolding. Shirley Kaszenbowski, regarded from the outside, is the embodiment of the invisible woman.… — Sarah Weinman Copy Share Image
The 'Vampire of Ropraz' claims to be based on a true story, but the name of Rosa's father matches that of a notable Swiss… — Sarah Weinman Copy Share Image
In the summer of 1997, a little more than half a lifetime ago, I got my first proper summer job. The job, with one… — Sarah Weinman Copy Share Image
As I considered Parker and his absurdist reflection in the Westlake-authored 'Dortmunder' novels, I wrote, 'His natural ability to observe human behavior and to… — Sarah Weinman Copy Share Image
The abundance of Roman historical mysteries contrasts with the surprising paucity of crime novels set in classical Greece. — Sarah Weinman Copy Share Image
Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't… — Sarah Weinman Copy Share Image
