'The Choirboys' is very much a product of its mid-1970s time, especially in its two-dimensional portrayals of cop groupies Ora Lee and… — Sarah Weinman Copy Share Image
My one criticism of Vertigo Crime to date is that it's been a boys' club, reveling in violence that, while entertainingly lurid,… — Sarah Weinman Copy Share Image
Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe… — Sarah Weinman Copy Share Image
Five years before 'Kitchen Confidential' - and before then, the 'New Yorker' essay that led to the book - Bourdain published 'A… — Sarah Weinman Copy Share Image
The 500 years following the fall of the Western Roman Empire were dubbed by the poet Petrarch 'dark.' Although the 14th-century Italian… — Sarah Weinman Copy Share Image
If you think the shifting tectonics of world history might make for a juicy crime fiction backdrop, the last decade or so… — Sarah Weinman Copy Share Image
Sue Grafton's 'A Is for Alibi', the 1982 novel that introduced the world to private detective Kinsey Millhone, wasn't seen as the… — Sarah Weinman Copy Share Image
Judging by the volume of titles published each year, mystery readers are restless in their pursuit of literary escape. They might travel… — Sarah Weinman Copy Share Image
Imagine a world, if you will, where crime does not exist. A startling proposition that seems outlandish, but our imaginations, of course,… — Sarah Weinman Copy Share Image
Wambaugh's naturalistic portrait of the cop world turned 'Centurions' and 'The Blue Knight' (1972) into bestsellers, but his next two books made… — Sarah Weinman Copy Share Image
Rereading 'Child 44' brought out the novel's meatier pleasures, its ability to create vivid characters in a world both alien to our… — Sarah Weinman Copy Share Image
The make-believe world of 'The Black Tower' succeeds by broadcasting larger truths that might otherwise elude us. — Sarah Weinman Copy Share Image
'The Choirboys' is very much a product of its mid-1970s time, especially in its two-dimensional portrayals of cop groupies Ora Lee and Carolina Moon,… — Sarah Weinman Copy Share Image
America in the 1800s isn't quite the historical mystery hotbed as the same period in the country it bested in the War of Independence,… — Sarah Weinman Copy Share Image
While every historical era has its unique appeal as a setting for tales of crime and detection, the 19th century is exceptional - it… — Sarah Weinman Copy Share Image
After so many attempts to mount a musical version of 'Lolita,' the project was well and truly dead by the summer of 1971. Chief… — Sarah Weinman Copy Share Image
My one criticism of Vertigo Crime to date is that it's been a boys' club, reveling in violence that, while entertainingly lurid, lacks depth.… — Sarah Weinman Copy Share Image
My focus will always be crime, but it might not always be fiction, nor always for adults, nor books entirely in prose. That's a… — Sarah Weinman Copy Share Image
First, a confession: I liked 'The Da Vinci Code.' This news is even more of a surprise to me than it might be to… — Sarah Weinman Copy Share Image
Having set its tonal template, Vertigo Crime laid low for a few months before starting in earnest at the beginning of 2010. — Sarah Weinman Copy Share Image
'The Chill,' by Jason Starr and Mick Bertilorenzi, was both a wise and nervy choice to start the year: Starr's standalone novels, such as… — Sarah Weinman Copy Share Image
The interior nature of 'Basic Black' is central to its unfolding. Shirley Kaszenbowski, regarded from the outside, is the embodiment of the invisible woman.… — Sarah Weinman Copy Share Image
The 'Vampire of Ropraz' claims to be based on a true story, but the name of Rosa's father matches that of a notable Swiss… — Sarah Weinman Copy Share Image
In the summer of 1997, a little more than half a lifetime ago, I got my first proper summer job. The job, with one… — Sarah Weinman Copy Share Image
