“I’d probably want some good compressors, like a couple of Avalons or a couple of the Urei LA-3A’s, and perhaps a Pultec EQ.” — Robert Wolff Copy Share Image
“We’ll either record the multitrack at 44.1k or 48k and then we mix to 88.2, which is compatible with CDs because it’s a multiple… — Robert Wolff Copy Share Image
“Most sessions come in on Pro Tools, which I transfer to the Sony 3348HR and then I mix them down to Nuendo at 88.2… — Robert Wolff Copy Share Image
“Those are the sites that only allow you to be a listener and not a broadcaster. A site called Live365.com is different.” — Robert Wolff Copy Share Image
“Nuendo also interfaces directly to my Apogee converters, which I feel are the best on the market. I’m also mixing to surround” — Robert Wolff Copy Share Image
“you might want to consider joining the National Music Publishers Association (NMPA.org), the trade group that represents more than 800 music publishers.” — Robert Wolff Copy Share Image
“48-track tape machines out there. Check out the Internet for used analog and digital tape machines made by Ampex, MCI, Otari, Revox, Sony, and… — Robert Wolff Copy Share Image
“Alliance of Artists and Recording Companies (AARC), which is a nonprofit entity formed to distribute Audio Home Recording” — Robert Wolff Copy Share Image
“Bob Clearmountain’s Mix This! Studio Equipment List Dynamic processing: UREI 1178 Stereo Compressor—Fantastic, but old and cranky; difficult to recall. Focusrite Red 3 Stereo… — Robert Wolff Copy Share Image
“keyboards of classic gear like the Nord rack, Korg Triton Studio keyboard/rack, Roland XV series rack, E-MU sound modules, Access Virus, Waldorf, Kurzweil keys/rack,… — Robert Wolff Copy Share Image
