“His most characteristic detective stories end with the realization that no rational account of events is possible, and his suspense stories tend to close with terror not dissipated but omnipresent, like God. ("Introduction")” — Francis M. Nevins Copy Share Image
“Long before the Theater of the Absurd, Woolrich discovered that an incomprehensible universe is best reflected in an incomprehensible story. ("Introduction")” — Francis M. Nevins Copy Share Image
“His most characteristic detective stories end with the realization that no rational account of events is possible, and his suspense stories tend to close… — Francis M. Nevins Copy Share Image
“But suspense presupposes uncertainty. No matter how nightmarish the situation, real suspense is impossible when we know in advance that the protagonist will prevail… — Francis M. Nevins Copy Share Image
“The hallmarks of the noir style are fear, guilt and loneliness, breakdown and despair, sexual obsession and social corruption, a sense that the world… — Francis M. Nevins Copy Share Image
“All we can do about this nightmare we live in is to create, if we are very lucky, a few islands of love and… — Francis M. Nevins Copy Share Image
“Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking… — Francis M. Nevins Copy Share Image
“The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are… — Francis M. Nevins Copy Share Image
“In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements:… — Francis M. Nevins Copy Share Image
