I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing. — Luc Ferrari Copy Share Image
Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character. — Luc Ferrari Copy Share Image
So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a… — Luc Ferrari Copy Share Image
I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write… — Luc Ferrari Copy Share Image
With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult,… — Luc Ferrari Copy Share Image
My sisters were going out with artists and poets, and eventually it was the creative world which attracted me. — Luc Ferrari Copy Share Image
I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s. — Luc Ferrari Copy Share Image
I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing… — Luc Ferrari Copy Share Image
When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old… — Luc Ferrari Copy Share Image
Boulez seemed to me to be a guy who wrote laws. Like a company lawyer. — Luc Ferrari Copy Share Image
I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it. — Luc Ferrari Copy Share Image
Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive. — Luc Ferrari Copy Share Image
