Capitalism’s grow-or-die imperative stands radically at odds with ecology’s imperative of interdependence and limit. The two imperatives can no longer coexist with each other; nor can any society founded on the myth that they can be reconciled hope to survive. Either we will establish an ecological society or society will go under for everyone, irrespective of his or her status. — Ursula K. Le Guin Copy Share
“Because there is nothing, nothing on Urras that we Anarresti need! We left with empty hands, a hundred and seventy years ago, and we were right. We took nothing. Because there is nothing here but States and their weapons, the rich and their lies, and the poor and their misery. There is no way to act rightly, with a clear… — Ursula K. Le Guin Copy Share
“It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are… — Ursula K. Le Guin Copy Share
We live in capitalism. Its power seems inescapable. So did the divine right of kings. — Ursula K. Le Guin Copy Share Image
“He tried to read an elementary economics text; it bored him past endurance, it was like listening to somebody interminably recounting a long and stupid dream. He could not force himself to understand how banks functioned and so forth, because all the operations of capitalism were as meaningless to him as the rites of a primitive religion, as barbaric, as… — Ursula K. Le Guin Copy Share
“He had been taught as a child that Urras was a festering mass of inequity, iniquity, and waste. But all the people… — Ursula K. Le Guin Copy Share Image
I gather that a lot of the "pots" in the great museum in Baghdad, which we allowed to be looted and then… — Ursula K. Le Guin Copy Share Image
We live in capitalism, its power seems inescapable - but then, so did the divine right of kings. Any human power can… — Ursula K. Le Guin Copy Share Image
“...I wore his blood for clothing, on my legs and thighs and hands: a dry, stiff, brown garment with no warmth in it.” — Ursula K. Le Guin Copy Share Image
Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like… — Ursula K. Le Guin Copy Share Image
“Aeneas' mother is a star?" "No; a goddess." I said cautiously, "Venus is the power that we invoke in spring, in the garden, when things begin growing. And we call the evening star Venus." He thought it over. Perhaps having grown up in the country, among pagans like me, helped him understand my bewilderment. "So do we, he said. "But… — Ursula K. Le Guin Copy Share
“Meaning - this is perhaps the common note, the bane I am seeking. What is the Meaning of this book, this event in the… — Ursula K. Le Guin Copy Share Image
For fantasy is true, of course. It isn't factual, but it is true. Children know that. Adults know it too, and that is precisely why many of them are afraid of fantasy. They know that its truth challenges, even threatens, all that is false, all that is phony, unnecessary, and trivial in the life they have let themselves be forced… — Ursula K. Le Guin Copy Share
“. . . chronosophy does involve ethics. Because our sense of time involves our ability to separate cause and effect, means and end. The baby, again, the animal, they don't see the difference between what they do now and what will happen because of it. They can't make a pulley, or a promise. We can. Seeing the difference between now… — Ursula K. Le Guin Copy Share
“If both you and your plane are on time, the airport is merely a diffuse, short, miserable prelude to the intense, long, miserable plane trip. But what if there's five hours between your arrival and your connecting flight, or your plane is late arriving and you've missed your connection, or the connecting flight is late, or the staff of another… — Ursula K. Le Guin Copy Share
Between thought and spoken word is a gap where intention can enter, the symbol be twisted aside, and the lie come to be. — Ursula K. Le Guin Copy Share Image
I have no control over my writing. I have lots of good intentions, but no control. There's a story that wants to be told. — Ursula K. Le Guin Copy Share Image
“I did a lot today. That is, I did something. The only thing I have ever done. I pressed a button. It took the… — Ursula K. Le Guin Copy Share Image
To me the female principle is, or at least historically has been, basically anarchic. It values order without constraint, rule by custom not by… — Ursula K. Le Guin Copy Share Image
