There's some real dark days where you just feel like the story is falling apart in every one. Just keep moving forward, even when you are bluffing, even when you don't quite know what is going to happen next. — Dan Scanlon Copy Share Image
The scary thing is that sometimes you are wrapping up animation on a sequence and you don't know how the movie ends or begins.… — Dan Scanlon Copy Share Image
A director can come from anywhere, but having a story background, if you have nothing else, is probably a good thing to have because… — Dan Scanlon Copy Share Image
There are certainly moments in the story room where you watch the movie die on the table. You put A next to B, and… — Dan Scanlon Copy Share Image
I don't think at Pixar we'd ever make something that was too scary for general audiences. — Dan Scanlon Copy Share Image
I think the biggest difference is in live action, you show up, and there's a set there and a ground to stand on, at… — Dan Scanlon Copy Share Image
I actually worked for a small company in Ohio that sort of farmed out work from Disney and Dreamworks, so I really only ever… — Dan Scanlon Copy Share Image
At Pixar, we do a million versions of the movie, and every one of them goes through their awkward teenage phase where it's terrible… — Dan Scanlon Copy Share Image
I trust every lead in every department. All of the teams are phenomenal artists. All I need to tell them is why to do… — Dan Scanlon Copy Share Image
I don't need to try to push everyone out of the way and say, "This is how you do it. I actually like not… — Dan Scanlon Copy Share Image
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a… — Dan Scanlon Copy Share Image
I think we make the movies, initially, with the one movie in mind. But we do love the characters, and so we kind of… — Dan Scanlon Copy Share Image
The idea of us telling a story where a character doesn't get everything he wants at the end is one of the relatable things… — Dan Scanlon Copy Share Image
