“Jimmy likely wrote all three editorials, and one, titled “Who Is for Law and Order?” carried his byline. He argued that the spectacle, seen in other recent conflicts and then repeated most dramatically in the Little Rock crisis, of white… — Stephen M. Ward Copy Share Image
“public statements condemning segregation, sharply worded telegrams to Washington, and meetings with White House officials—were demonstrably ineffectual. New and more dramatic measures were in order. Mass action, Randolph reasoned, would be required, and he proposed a protest of 10,000 black… — Stephen M. Ward Copy Share Image
“Grace deeply identified with Mead’s view that ideas evolve historically. “Unlike the average American teacher of philosophy of his day,” she wrote, Mead “urged… — Stephen M. Ward Copy Share Image
“Initially, she responded by turning inward, pondering questions about the meaning of life and her place in the world. This led her to the… — Stephen M. Ward Copy Share Image
“In “Detroit Is Dynamite,” an August 1942 Life magazine article, Louis Martin and Ted Poston reported that 98.7 percent of all dwelling units in… — Stephen M. Ward Copy Share Image
“Jimmy and Grace returned to Detroit in late August, in time to participate in the final work to relaunch Correspondence. On September 21–22 the… — Stephen M. Ward Copy Share Image
“Thirteen million Negroes in America have never known three of the “Four Freedoms” which America is supposedly spreading to the rest of the world.… — Stephen M. Ward Copy Share Image
“What are you complaining about? If they don’t want you over here, why don’t you go over on Hastings Street and get yourself something?”… — Stephen M. Ward Copy Share Image
“Jimmy likely wrote all three editorials, and one, titled “Who Is for Law and Order?” carried his byline. He argued that the spectacle, seen… — Stephen M. Ward Copy Share Image
“She told him the origins of the “buck dance,” when “white people would come up and say ‘N____r, dance’, and then start shooting around… — Stephen M. Ward Copy Share Image
“As a Chinese American growing up in a largely white world during the 1920s and 1930s, a sense of social marginalization marked her formative… — Stephen M. Ward Copy Share Image
“Grace Lee Boggs was both product and producer of an improbable history. “I grew up in New York as a first generation Chinese American… — Stephen M. Ward Copy Share Image
“As an Asian American woman within black radical circles, Grace surely was anomalous, but this raised no significant concerns or barriers to her participation… — Stephen M. Ward Copy Share Image
“Under Weiss’s direction, Grace began to delve deeply into writings and ideas that would shape the rest of her life. To begin with, Weiss… — Stephen M. Ward Copy Share Image
