The industry in Japan moving toward CGI is not as severe and extreme as in the U.S. The animation industry in the… — Katsuhiro Otomo Copy Share Image
Approximately 400 cuts - that would make 25 percent of the total - use CGI. I worked on the Steamboy's animation production… — Katsuhiro Otomo Copy Share Image
Although all studios are now moving towards digitalization, a foundation in which we draw pictures by hand hasn't changed, so I foresee… — Katsuhiro Otomo Copy Share Image
Since the waiting time required during the rendering process has been dramatically shorter in the last 10 years, I think that CGI… — Katsuhiro Otomo Copy Share Image
The industry in Japan moving toward CGI is not as severe and extreme as in the U.S. The animation industry in the U.S. is… — Katsuhiro Otomo Copy Share Image
Approximately 400 cuts - that would make 25 percent of the total - use CGI. I worked on the Steamboy's animation production based on… — Katsuhiro Otomo Copy Share Image
The cartoonist's work is solitary; even when dealing with editors and assistants, there is no such excitement as to creating unexpected drastic changes for… — Katsuhiro Otomo Copy Share Image
Although all studios are now moving towards digitalization, a foundation in which we draw pictures by hand hasn't changed, so I foresee that we… — Katsuhiro Otomo Copy Share Image
During the production of the Steamboy film, what I put my most effort in was the process of layouts, and I did my best… — Katsuhiro Otomo Copy Share Image
Since the waiting time required during the rendering process has been dramatically shorter in the last 10 years, I think that CGI animation has… — Katsuhiro Otomo Copy Share Image
