“FOLKSBIENE, an impoverished, frail Yiddish theater company in constant danger of annihilation, had outlasted all the giants. The year of Schwartz's death the little troupe moved into the Forward building, guaranteeing it a permanent home with four walls and a… — Stefan Kanfer Copy Share Image
An aphorism is a personal observation inflated into a universal truth, a private posing as a general. — Stefan Kanfer Copy Share Image
“FOLKSBIENE, an impoverished, frail Yiddish theater company in constant danger of annihilation, had outlasted all the giants. The year of Schwartz's death the little… — Stefan Kanfer Copy Share Image
Kenney knows two essential truths about melodrama: First that it is most powerful when combined with irony and understatement; and second that it is… — Stefan Kanfer Copy Share Image
There's something strange and powerful about black-and-white imagery. — Stefan Kanfer Copy Share Image
The catalogue of miseries seems to cry out for commercial spots and a station break: the stuff of noonday soap opera. — Stefan Kanfer Copy Share Image
...telephone operators now routinely use '80s-babble, chirping, "Have a nice day," the moral equivalent of the smile button. — Stefan Kanfer Copy Share Image
Sorrows cannot all be explained away in a life truly lived, grief and loss accumulate like possessions. — Stefan Kanfer Copy Share Image
