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The principle I always go on in writing a novel is to…

“The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I…” quote by P.G. Wodehouse
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““The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right as a story . I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them." (Interview, The Paris Review , Issue 64, Winter 1975)””

P.G. Wodehouse

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

A writer must treat characters like actors, ensuring they have meaningful roles throughout the story, otherwise the plot feels weak and unengaging.

In simple terms: Give characters purpose and consistent action.

Key Takeaway

Keep every character essential and active.

Themes

character development plot structure storytelling

Mood

analytical creative critical

Type

advice instructional reflective

When to use this quote

  • novel planning
  • scriptwriting
  • editing
  • character arcs

Key Concepts

narrative design dramatic tension

Questions to Reflect On

  • How can you test each character’s relevance before drafting?
  • What strategies keep secondary characters compelling?
A Different Perspective

If characters are underused, the story loses momentum and audience interest.

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