I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things. — Colm Toibin Book Copy Share Image
I suppose one should have an integrated personality, but I've never really seen the point. — Colm Toibin Idea Copy Share Image
I don't think we have a right to enjoy our neuroses; in fact, I believe that we have a duty not to.… — Colm Toibin Copy Share Image
“Ending a novel is almost like putting a child to sleep – it can't be done abruptly." [ Colm Tóibín, Novelist –… — Colm Tóibín Art Copy Share Image
“The details of what I told him were with me all the years in the same way as my hands or my… — Colm Tóibín Copy Share Image
I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what… — Colm Toibin Fiction Copy Share Image
“If water can be changed into wine and the dead can be brought back, then I want time pushed back.” — Colm Tóibín Time Copy Share Image
“I don’t go in for change. It is not one of my subjects. I have always taken the view that noticing change… — Colm Tóibín Change Copy Share Image
I still have a stammer that I can control by not opening a sentence with a hard consonant, or by concentrating for… — Colm Toibin Copy Share Image
The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your… — Colm Toibin Copy Share Image
While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative… — Colm Toibin Copy Share Image
I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and… — Colm Toibin Copy Share Image
My first novel was turned down by about twenty publishers over a period of two and a half years. Because my name… — Colm Toibin Copy Share Image
I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it… — Colm Toibin Children Copy Share Image
“Q: What's the biggest myth about writing? A: That there's any wildness attached to it. Writing tends to be very deliberate." [… — Colm Tóibín Creative process Copy Share Image
Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of… — Colm Toibin Copy Share Image
“On one of the nights during my journey I wandered out under the sky which was lit with stars and I believed… — Colm Tóibín Change Copy Share Image
“There’s an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how… — Colm Tóibín Beauty Copy Share Image
I like it that they [disciples] feed me and pay for my clothes and protect me. And in return I will do… — Colm Toibin Anecdotes Copy Share Image
“...in one of his Irish Times columns written under the name of Myles na gCopaleen, [Flann] O’Brien offered a service to readers… — Colm Tóibin Books Copy Share Image
Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready… — Colm Toibin Copy Share Image
I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral… — Colm Toibin Aria Copy Share Image
In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my own belief in… — Colm Toibin Art Copy Share Image
It may be enough to study history in all its nuance and ambiguity for its own sake. But there is no country… — Colm Toibin Ambiguity Copy Share Image
I write with a sort of grim determination to deal with things that are hidden and difficult, and this means, I think,… — Colm Toibin Copy Share Image
“Andersen was perhaps too young to know how memory and regret can mingle, how much sorrow can be held within, and how… — Colm Tóibín Memory Copy Share Image
..Some of our loves and attachments are elemental and beyond our choosing, and for that very reason they come spiced with pain… — Colm Toibin Copy Share Image
“I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what… — Colm Tóibín Fiction Copy Share Image
I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory… — Colm Toibin Books Copy Share Image
I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were… — Colm Toibin Copy Share Image
The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm… — Colm Toibin Copy Share Image
History is a way of interpreting, rather than, say, knowing, the past. It is usually a set of disputes between those who… — Colm Toibin Access Copy Share Image
I'm slightly influenced by sport in that I like the idea of trying, like an athlete, to keep absolutely ready. That's an… — Colm Toibin Copy Share Image
“As his widow, she knew who she was and what she had inherited. She had loved him in her way and sometimes… — Colm Toibin Heart Copy Share Image
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll… — Colm Toibin Copy Share Image
“We had used up all of our time. And I wondered if that made any difference to my mother then, as she… — Colm Tóibín Life Copy Share Image
Some of our loves and attachments are elemental and beyond our choosing, and for that very reason they come spiced with pain… — Colm Toibin Copy Share Image
The Roman Catholic Church and its rituals were so much part of life that, although my parents would often question a small… — Colm Toibin Art of life Copy Share Image
In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect… — Colm Toibin Copy Share Image
“Trollope and Balzac, Zola and Dickens would, he felt, have become bitter old preachers, or mad hairy schoolmasters had they been born… — Colm Tóibín Trollope Copy Share Image