“Not everyone is capable of writing junk fiction: It requires an authentic junk mind.” — John Gardner Copy Share Image
Nothing can be more limiting to the imagination than only writing about what you know — John Gardner Copy Share Image
“[the writer] must copy, with his finite mind, the process of the infinite 'I AM.” — John Gardner Copy Share Image
“Good writers may “tell” about almost anything in fiction except the characters’ feelings.” — John Gardner Copy Share Image
“The people I've known who wanted to become writers, knowing what it meant, did become writers.” — John Gardner Copy Share Image
“A story is like a machine with numerous gears: it should contain no gear that doesn't turn something” — John Gardner Copy Share Image
“one sign of a writer’s potential is his especially sharp ear—and eye—for language.” — John Gardner Copy Share Image
“The writer sensitive to language finds his own metaphors, not simply because he has been taught to avoid clichés but because he… — John Gardner Copy Share Image
“It is for this reason that Aristotle recommends that the writer begin "in the middle of things" and fill in the exposition… — John Gardner Copy Share Image
“...{N}othing is harder for the developing writer than overcoming his anxiety that he is fooling himself and cheating or embarrassing his family… — John Gardner Copy Share Image
“As a general rule, highly rational writers (like Nabokov) write most comfortably in the morning, and mainly intuitive writers write most comfortably… — John Gardner Copy Share Image
Art Gropes. It stalks like a hunter lost in the woods, listening to itself and to everything around it, unsure of itself,… — John Gardner Copy Share Image
Fiction does not spring into the world fully grown, like Athena. It is the process of writing and rewriting that makes a… — John Gardner Copy Share Image
“He must shape simultaneously (in an expanding creative moment) his characters, plot, and setting, each inextricably connected to the others; he must… — John Gardner Copy Share Image
Writing a novel is like heading out over the open sea in a small boat. It helps, if you have a plan… — John Gardner Copy Share Image
“As in the universe every atom has an effect, however miniscule, on every other atom, so that to pinch the fabric of… — John Gardner Copy Share Image
“The question one asks of the young writer who wants to know if he's got what it takes is this: "Is writing… — John Gardner Copy Share Image
“One has to be just a little crazy to write a great novel. One must be capable of allowing the darkest, most… — john gardner Copy Share Image
“Because his art is such a difficult one, the writer is not likely to advance in the world as visibly as do… — john gardner Copy Share Image
A common and usually unfortunate answer is “Write about what you know.” Nothing can be more limiting to the imagination, nothing is… — John Gardner Copy Share Image
“One cannot judge in advance whether or not the idea of the story is worthwhile because until one has finished writing the… — John Gardner Copy Share Image
“Theoretically there's no reason one should get [writer's block], if one understands that writing, after all, is only writing, neither something one… — John Gardner Copy Share Image
“all writers, given adequate technique—technique that communicates—can stir our interest in their special subject matter, since at heart all fiction treats, directly… — John Gardner Copy Share Image
“Nothing is sillier than the creative writing teacher's dictum "Write about what you know." But whether you're writing about people or dragons,… — John Gardner Copy Share Image
“Fiction, like sculpture or painting, begins with a rough sketch. One gets down the characters and their behavior any way one can,… — john gardner Copy Share Image
“Daemonic compulsiveness can kill as easily as it can save. The true novelist must be at once driven and indifferent. Van Gogh… — John Gardner Copy Share Image
“In writing short stories—as in writing novels—take one thing at a time. (For some writers, this advice I'm giving may apply best… — John Gardner Copy Share Image
“There seems little or no hope for the adult writer who produces sentences like these: "Her cheeks were thick and smooth and… — John Gardner Copy Share Image
“Good writers may “tell” about almost anything in fiction except the characters’ feelings. One may tell the reader that the character went… — John Gardner Copy Share Image
“The writer's characters must stand before us with a wonderful clarity, such continuous clarity that nothing they do strikes us as improbable… — John Gardner Copy Share Image
“The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno… — John Gardner Copy Share Image
“The age old idea of human dignity comes to apply even to the indigent, even to the slaves, even to immigrants, now… — John Gardner Copy Share Image
“It is the importance of this quality of generosity in fiction that requires a measure of childishness in the writer. People who… — John Gardner Copy Share Image
“A scene will not be vivid if the writer gives too few details to stir and guide the reader's imagination; neither will… — John Gardner Copy Share Image
“The shoddy writer wants only publication. He fails to recognize that almost anyone willing to devote between twelve and fourteen hours a… — John Gardner Copy Share Image
“A good writer is likely to know and use, or find out and use, the words for common architectural features, like "lintel,"… — John Gardner Copy Share Image
“I think there really is no other way to write a long, serious novel. You work, shelve it for a while, work,… — John Gardner Copy Share Image
“Like other kinds of intelligence, the storyteller's is partly natural, partly trained. It is composed of several qualities, most of which, in… — John Gardner Copy Share Image
“Theme is not imposed on the story but evoke from within it--initally an intuitive but finally an intellectual act on the part… — John Gardner Copy Share Image
“All to often, on the long road up, young leaders become servants of what is rather than shapers of what might be.” — John Gardner Copy Share
When I was a child I truly loved: Unthinking love as calm and deep As the North Sea. But I have lived, And now… — John Gardner Copy Share
“They only think they think. No total vision, total system, merely schemes with a vague family resemblance, no more identity than bridges and, say,… — John Gardner Copy Share
“Except in stock locutions, such as "You were paid yesterday," "The Germans were defeated," or "The project was abandoned," the passive voice is virtually… — John Gardner Copy Share
“The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno or the… — John Gardner Copy Share
“Good writers may “tell” about almost anything in fiction except the characters’ feelings. One may tell the reader that the character went to a… — John Gardner Copy Share
“the chief offense in bad fiction: we sense that characters are being manipulated, forced to do things they would not really do.” — John Gardner Copy Share
“There seems little or no hope for the adult writer who produces sentences like these: "Her cheeks were thick and smooth and held a… — John Gardner Copy Share
“In any long fiction, Henry James remarked, use of the first-person point of view is barbaric. James may go too far, but his point… — John Gardner Copy Share
Nothing can be more limiting to the imagination than only writing about what you know — John Gardner Copy Share
A nation that values bad philosophy above good plumbing will have neither good philosophy nor good plumbing — John Gardner Copy Share
The citizen can bring our political and governmental institutions back to life, make them responsive and accountable, and keep them honest. No one else… — John Gardner Copy Share
Talking, talking. Spinning a web of words, pale walls of dreams, between myself and all I see. — John Gardner Copy Share
“In writing short stories—as in writing novels—take one thing at a time. (For some writers, this advice I'm giving may apply best to a… — John Gardner Copy Share
All order, I've come to understand, is theoretical, unreal, a harmless, sensible, smiling mask men slide between the two great, dark realities, the self… — John Gardner Copy Share